<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Ana Paúl &#8211; Exagono Magazine</title>
	<atom:link href="https://exagono.es/en/tag/ana-paul-en/feed/" rel="self" type="application/rss+xml" />
	<link>https://exagono.es/en/</link>
	<description>the voice of designers</description>
	<lastBuildDate>Sat, 15 Mar 2025 07:40:59 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1.3</generator>

<image>
	<url>https://exagono.es/revista/wp-content/uploads/2024/05/cropped-exa-32x32.png</url>
	<title>Ana Paúl &#8211; Exagono Magazine</title>
	<link>https://exagono.es/en/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Ana Paúl builds delicate works of great beauty with paper, inspired by the magic of the forest.</title>
		<link>https://exagono.es/en/ana-paul-construye-con-papel-delicadas-obras-de-gran-belleza-inspiradas-en-la-magia-de-los-bosques/</link>
		
		<dc:creator><![CDATA[Exágono]]></dc:creator>
		<pubDate>Mon, 23 Sep 2024 10:02:40 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Ana Paúl]]></category>
		<category><![CDATA[Artesanía del papel]]></category>
		<guid isPermaLink="false">https://exagono.es/ana-paul-construye-con-papel-delicadas-obras-de-gran-belleza-inspiradas-en-la-magia-de-los-bosques/</guid>

					<description><![CDATA[He uses different types of paper, painting them and adding a special treatment to obtain a sculptural form. A totally handmade work carried out in a very personal way.]]></description>
										<content:encoded><![CDATA[
<p class="eplus-wrapper wp-block-paragraph"><em>We introduce you to Ana Paúl, an artist and paper craftswoman with whom she creates surprising works full of delicacy and expressiveness, inspired by the beauty of nature. She tells us about it.</em></p>


<p class="eplus-wrapper eplus-styles-uid-bcc61e wp-block-paragraph">Ever since I was a child I have been attracted to paper, its expressiveness, its textures, its folds and its volume. The transformative quality of this humble but noble material and the influence of orientalism with its delicacy, mystery and use of colour, underpins all my work.</p>


<p class="eplus-wrapper wp-block-paragraph">The beauty of nature is my inspiration and the subtlety of colour and detail my focus. I use different types of paper, painting them and adding a special treatment to obtain a sculptural form. A totally handmade work made in a very personal way.</p>



<p class="eplus-wrapper wp-block-paragraph">Forests and trees predominate in my works, integrating them into interiors imitating nature with a free interpretation. The expression of colour plays an important role in bringing forests to life. The primordial connection that trees have with the Earth and the Universe is a constant theme in my works, reinterpreting it in different ways.</p>



<p class="eplus-wrapper wp-block-paragraph">I am captivated by forests and trees, their majestic beauty and primeval mystery. In a changing world constantly presenting new challenges, trees provide a deep-rooted and enduring sense of protection and support. Entering the forest is a magical experience that stimulates the deep connection we humans have with our planet and ourselves.</p>



<h2 class=" wp-block-heading eplus-wrapper">My work</h2>



<p class="eplus-wrapper wp-block-paragraph">Forests dominate my work and I use paper in a sculptural way to create an ethereal composition. The expression of colour plays a key role in bringing the forests to life.</p>



<p class="eplus-wrapper wp-block-paragraph">In the<strong> Layered forests</strong> series I express my admiration for trees and forests, although the interpretation is very free, for some they are more like tree bark or reptile skin. The work requires a lot of concentration, especially because of the malleability of the material and the choice of colours. I feel that my artistic world lies at the confluence of the artificial and the natural.</p>



<figure class="wp-block-gallery alignwide has-nested-images columns-1 eplus-wrapper wp-block-gallery-1">
<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/layered02.jpg"><img fetchpriority="high" decoding="async" width="625" height="812" data-id="11481" src="https://exagono.es/revista/wp-content/uploads/2024/09/layered02.jpg" alt="" class="wp-image-11481" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/layered02.jpg 625w, https://exagono.es/revista/wp-content/uploads/2024/09/layered02-231x300.jpg 231w, https://exagono.es/revista/wp-content/uploads/2024/09/layered02-60x78.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/layered02-600x780.jpg 600w" sizes="(max-width: 625px) 100vw, 625px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3.jpg"><img decoding="async" width="1326" height="1701" data-id="11491" src="https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3.jpg" alt="" class="wp-image-11491" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3.jpg 1326w, https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3-234x300.jpg 234w, https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3-798x1024.jpg 798w, https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3-768x985.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3-1197x1536.jpg 1197w, https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3-60x77.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/layered04-3-600x770.jpg 600w" sizes="(max-width: 1326px) 100vw, 1326px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/layered06.jpg"><img decoding="async" width="850" height="1050" data-id="11484" src="https://exagono.es/revista/wp-content/uploads/2024/09/layered06.jpg" alt="" class="wp-image-11484" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/layered06.jpg 850w, https://exagono.es/revista/wp-content/uploads/2024/09/layered06-243x300.jpg 243w, https://exagono.es/revista/wp-content/uploads/2024/09/layered06-829x1024.jpg 829w, https://exagono.es/revista/wp-content/uploads/2024/09/layered06-768x949.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/layered06-60x74.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/layered06-600x741.jpg 600w" sizes="(max-width: 850px) 100vw, 850px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/layered01-1.jpg"><img loading="lazy" decoding="async" width="1000" height="1300" data-id="11486" src="https://exagono.es/revista/wp-content/uploads/2024/09/layered01-1.jpg" alt="" class="wp-image-11486" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/layered01-1.jpg 1000w, https://exagono.es/revista/wp-content/uploads/2024/09/layered01-1-231x300.jpg 231w, https://exagono.es/revista/wp-content/uploads/2024/09/layered01-1-788x1024.jpg 788w, https://exagono.es/revista/wp-content/uploads/2024/09/layered01-1-768x998.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/layered01-1-60x78.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/layered01-1-600x780.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></a></figure>
</figure>



<p class="eplus-wrapper wp-block-paragraph">In the <strong>Arboretum</strong> series, words are often hidden as Morse code, reminding us of the unique mystery of the forest.</p>



<figure class="wp-block-gallery alignwide has-nested-images columns-1 eplus-wrapper wp-block-gallery-2">
<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/arboretum03.jpg"><img loading="lazy" decoding="async" width="899" height="1216" data-id="11496" src="https://exagono.es/revista/wp-content/uploads/2024/09/arboretum03.jpg" alt="" class="wp-image-11496" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/arboretum03.jpg 899w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum03-222x300.jpg 222w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum03-757x1024.jpg 757w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum03-768x1039.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum03-60x81.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum03-600x812.jpg 600w" sizes="(max-width: 899px) 100vw, 899px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01.jpg"><img loading="lazy" decoding="async" width="1343" height="1800" data-id="11494" src="https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01.jpg" alt="" class="wp-image-11494" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01.jpg 1343w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01-224x300.jpg 224w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01-764x1024.jpg 764w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01-768x1029.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01-1146x1536.jpg 1146w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01-60x80.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/arboretum01-600x804.jpg 600w" sizes="(max-width: 1343px) 100vw, 1343px" /></a></figure>
</figure>



<p class="eplus-wrapper wp-block-paragraph">In the <strong>Apapyrooos</strong> series, the simplicity of nature becomes its inspiration and the subtlety of colour and detail its focus. Each petal is carefully studied and paint is used on different types of paper to bring to life a variety of textures and tones.</p>



<figure class="wp-block-gallery alignwide has-nested-images columns-1 eplus-wrapper wp-block-gallery-3">
<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos02.jpg"><img loading="lazy" decoding="async" width="1350" height="1800" data-id="11466" src="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos02.jpg" alt="" class="wp-image-11466" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos02.jpg 1350w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos02-225x300.jpg 225w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos02-768x1024.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos02-1152x1536.jpg 1152w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos02-60x80.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos02-600x800.jpg 600w" sizes="(max-width: 1350px) 100vw, 1350px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos04.jpg"><img loading="lazy" decoding="async" width="887" height="1291" data-id="11468" src="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos04.jpg" alt="" class="wp-image-11468" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos04.jpg 887w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos04-206x300.jpg 206w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos04-704x1024.jpg 704w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos04-768x1118.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos04-60x87.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos04-600x873.jpg 600w" sizes="(max-width: 887px) 100vw, 887px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos05.jpg"><img loading="lazy" decoding="async" width="1332" height="1029" data-id="11469" src="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos05.jpg" alt="" class="wp-image-11469" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos05.jpg 1332w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos05-300x232.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos05-1024x791.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos05-768x593.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos05-60x46.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos05-600x464.jpg 600w" sizes="(max-width: 1332px) 100vw, 1332px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06.jpg"><img loading="lazy" decoding="async" width="1432" height="1800" data-id="11477" src="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06.jpg" alt="" class="wp-image-11477" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06.jpg 1432w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06-239x300.jpg 239w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06-815x1024.jpg 815w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06-768x965.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06-1222x1536.jpg 1222w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06-60x75.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/Apapyrooos06-600x754.jpg 600w" sizes="(max-width: 1432px) 100vw, 1432px" /></a></figure>
</figure>



<p class="eplus-wrapper wp-block-paragraph">In the <strong>Woods</strong> series, I use a unique visual language to bring nature into the living space by imitating the density and textural structure of tree trunks and branches.</p>



<figure class="wp-block-gallery alignwide has-nested-images columns-1 eplus-wrapper wp-block-gallery-4">
<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/madera02.jpg"><img loading="lazy" decoding="async" width="1125" height="1404" data-id="11472" src="https://exagono.es/revista/wp-content/uploads/2024/09/madera02.jpg" alt="" class="wp-image-11472" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/madera02.jpg 1125w, https://exagono.es/revista/wp-content/uploads/2024/09/madera02-240x300.jpg 240w, https://exagono.es/revista/wp-content/uploads/2024/09/madera02-821x1024.jpg 821w, https://exagono.es/revista/wp-content/uploads/2024/09/madera02-768x958.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/madera02-60x75.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/madera02-480x600.jpg 480w, https://exagono.es/revista/wp-content/uploads/2024/09/madera02-600x749.jpg 600w" sizes="(max-width: 1125px) 100vw, 1125px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/madera01.jpg"><img loading="lazy" decoding="async" width="1200" height="1133" data-id="11473" src="https://exagono.es/revista/wp-content/uploads/2024/09/madera01.jpg" alt="" class="wp-image-11473" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/madera01.jpg 1200w, https://exagono.es/revista/wp-content/uploads/2024/09/madera01-300x283.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/09/madera01-1024x967.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/09/madera01-768x725.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/madera01-60x57.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/madera01-600x567.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/madera03.jpg"><img loading="lazy" decoding="async" width="1955" height="1303" data-id="11474" src="https://exagono.es/revista/wp-content/uploads/2024/09/madera03.jpg" alt="" class="wp-image-11474" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/madera03.jpg 1955w, https://exagono.es/revista/wp-content/uploads/2024/09/madera03-300x200.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/09/madera03-1024x682.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/09/madera03-768x512.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/madera03-1536x1024.jpg 1536w, https://exagono.es/revista/wp-content/uploads/2024/09/madera03-60x40.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/madera03-720x480.jpg 720w, https://exagono.es/revista/wp-content/uploads/2024/09/madera03-600x400.jpg 600w" sizes="(max-width: 1955px) 100vw, 1955px" /></a></figure>
</figure>



<div style="height:100px" aria-hidden="true" class=" wp-block-spacer eplus-wrapper"></div>



<figure class="wp-block-gallery has-nested-images columns-default eplus-wrapper wp-block-gallery-5">
<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/09/ana-paul.-uxia-da-villa-1.jpg"><img loading="lazy" decoding="async" width="1200" height="675" data-id="11512" src="https://exagono.es/revista/wp-content/uploads/2024/09/ana-paul.-uxia-da-villa-1.jpg" alt="" class="wp-image-11512" srcset="https://exagono.es/revista/wp-content/uploads/2024/09/ana-paul.-uxia-da-villa-1.jpg 1200w, https://exagono.es/revista/wp-content/uploads/2024/09/ana-paul.-uxia-da-villa-1-300x169.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/09/ana-paul.-uxia-da-villa-1-1024x576.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/09/ana-paul.-uxia-da-villa-1-768x432.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/09/ana-paul.-uxia-da-villa-1-60x34.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/09/ana-paul.-uxia-da-villa-1-600x338.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a><figcaption class="wp-element-caption">Ana Paúl. Foto Uxía da Vila</figcaption></figure>
</figure>



<h2 class=" wp-block-heading eplus-wrapper">Ana Paúl</h2>



<p class="eplus-wrapper wp-block-paragraph">Ana Paúl was born in Barcelona and grew up in this city. Since she was a child she was always attracted by paper and its versatility and from an early age she started to create colourful collages and compositions using different types of paper and combining personal and found images.</p>



<p class="eplus-wrapper wp-block-paragraph">After completing her studies, she first moved to London before moving to Paris, where she lived for 20 years. Her career in the fashion industry in Paris exposed her to great creativity and artistic freedom through constant contact with top designers. Throughout this time she continued to develop her collages, inspired by all the talent around her. She currently lives and works between Barcelona and Madrid.</p>



<p class="eplus-wrapper wp-block-paragraph">He has collaborated with Hermès for the Solidarity Xmas tree event in 2021. His work has been chosen to illustrate the poetry book Metro by the poet Maram al-Masri, published by La Cama Sol Ediciones, to be permanently exhibited at the Mandarin Oriental Hotel and the Palace Hotel in Barcelona.</p>



<p class="eplus-wrapper wp-block-paragraph"><strong>Exhibitions</strong><br>1986 Primeros collages<br>2009 West Dean College, Reino Unido — Curso de ingeniería del papel<br>2019 Galería Casa Baró, Madrid<br>2020 Exposición en Galería Pigment, Barcelona<br>2021 Feria Estampat, Madrid, Galería Marita Segovia<br>2021 Publicado con Ediciones Poesía/Arte “La Cama Sol”. Otros artistas en incluye a Anselm Kieffer, Jaume Plensa,<br>2021 Exposición en Los Ángeles Art Show con Pigment Gallery<br>2021 Encargo de Hermes (Árbol de Navidad). Subastado por Christie&#8217;s<br>2022 Exposición en Galería Marita Segovia (Madrid)<br>2023 Exposición en Arthus Gallery (Bruselas)<br>2023 Exposición en Pal Project Gallery (París)<br>2023 Exposición en Armory Fair.Salon Art&amp;Design (NY). Galería Garrido</p>


<div class="wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-2ead33"><div class="wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow eplus-styles-uid-11d33e">
<p class="eplus-wrapper wp-block-paragraph"><strong>Ana Paúl</strong><br>+34 626 991 992<br>anapaul.atelier@gmail.com<br><a href="http://anapaulworld.com/" target="_blank" rel="noreferrer noopener">anapaulworld.com</a><br><a href="https://www.instagram.com/anapaulworld/" target="_blank" rel="noreferrer noopener">@anapaulworld</a></p>
</div>


<div class="wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow"></div>
</div>]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
