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	<title>María Xesús Díaz &#8211; Exagono Magazine</title>
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	<title>María Xesús Díaz &#8211; Exagono Magazine</title>
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	<item>
		<title>Licencia Emocional, an exhibition by Galician artist María Xesús Díaz, held at Herraiz Gallery in Madrid</title>
		<link>https://exagono.es/en/licencia-emocional-an-exhibition-by-galician-artist-maria-xesus-diaz-held-at-herraiz-gallery-in-madrid/</link>
		
		<dc:creator><![CDATA[María Xesús Díaz]]></dc:creator>
		<pubDate>Wed, 04 Dec 2024 11:41:17 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Artistas plásticos]]></category>
		<category><![CDATA[Galicia]]></category>
		<category><![CDATA[María Xesús Díaz]]></category>
		<category><![CDATA[Painting]]></category>
		<guid isPermaLink="false">https://exagono.es/licencia-emocional-una-exposicion-de-la-artista-gallega-maria-xesus-diaz-que-tuvo-lugar-en-la-galeria-herraiz-de-madrid/</guid>

					<description><![CDATA[“When art leans consciously into abstraction, it disrupts all mechanisms of interpretation—provoking, in the act of looking, both understanding and emotion.”]]></description>
										<content:encoded><![CDATA[<p class="eplus-wrapper eplus-styles-uid-bcc61e wp-block-paragraph">The Galician artist María Xesús Díaz has kindly sent us this text in which she comments on her recent exhibition in Madrid.</p>


<p class="eplus-wrapper wp-block-paragraph">&#8220;<em>An exhibition endorsed by reflection and freedom, with the tribute of expressing myself and giving free rein to my emotions without being affected by the stimuli of the environment.The feeling of the contemplation of Emotional Licence!When art tends to abstraction in a conscious and non-casual way, all the mechanisms of interpretation are thrown out of place, provoking in the act of looking, both the understandable and the emotional.Images always propose a challenge to the eye. To be able to conjugate the infinite in a conclusion. That is what I propose and the duty as a spectator is to try to aspire to the degree of knowledge of all that is proposed. This leads me to the universalisation of each theme, singular and incomparable moments, as happens when we observe nature. A restlessness between what is real and what is suggested.The melody of warm and cold, the transitions of nuances, the unconsidered mixture of zones, recreate conflict. I don&#8217;t want to escape from this critical gaze, to submerge myself in the interiorities of what I contemplate.This fine line, which asks for a deep sense of what surrounds us, between the instant and the reflection, between what seems and what is hidden. Finding the right moment, the atmosphere, the context, the perseverance, the material, the immaterial&#8230;</em>&#8221; María Xesús Díaz.</p>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-01.jpg"><img fetchpriority="high" decoding="async" width="1286" height="1800" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-01.jpg" alt="" class="wp-image-19765" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-01.jpg 1286w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-01-214x300.jpg 214w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-01-732x1024.jpg 732w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-01-768x1075.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-01-1097x1536.jpg 1097w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-01-60x84.jpg 60w" sizes="(max-width: 1286px) 100vw, 1286px" /></a><figcaption class="wp-element-caption">Otoño. 140&#215;100 año 2021</figcaption></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-02.jpg"><img decoding="async" width="1800" height="1293" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-02.jpg" alt="" class="wp-image-19767" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-02.jpg 1800w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-02-300x216.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-02-1024x736.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-02-768x552.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-02-1536x1103.jpg 1536w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-02-60x43.jpg 60w" sizes="(max-width: 1800px) 100vw, 1800px" /></a><figcaption class="wp-element-caption">Recreo. 100&#215;140 año 2024</figcaption></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-03.jpg"><img decoding="async" width="1791" height="1800" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-03.jpg" alt="" class="wp-image-19769" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-03.jpg 1791w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-03-1019x1024.jpg 1019w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-03-150x150.jpg 150w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-03-768x772.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-03-1528x1536.jpg 1528w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-03-60x60.jpg 60w" sizes="(max-width: 1791px) 100vw, 1791px" /></a><figcaption class="wp-element-caption">Resolución en azules. 100&#215;100 2023</figcaption></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-04.jpg"><img loading="lazy" decoding="async" width="1800" height="1186" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-04.jpg" alt="" class="wp-image-19771" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-04.jpg 1800w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-04-300x198.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-04-1024x675.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-04-768x506.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-04-1536x1012.jpg 1536w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-04-60x40.jpg 60w" sizes="(max-width: 1800px) 100vw, 1800px" /></a><figcaption class="wp-element-caption">Armonía. 80&#215;120 año 2024</figcaption></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05.jpg"><img loading="lazy" decoding="async" width="1800" height="1814" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05.jpg" alt="" class="wp-image-19773" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05.jpg 1800w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05-298x300.jpg 298w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05-1016x1024.jpg 1016w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05-150x150.jpg 150w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05-768x774.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05-1524x1536.jpg 1524w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-05-60x60.jpg 60w" sizes="(max-width: 1800px) 100vw, 1800px" /></a><figcaption class="wp-element-caption">Resolución escarlata. 100&#215;100 año 2023</figcaption></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06.jpg"><img loading="lazy" decoding="async" width="1800" height="1799" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06.jpg" alt="" class="wp-image-19775" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06.jpg 1800w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06-300x300.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06-1024x1024.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06-150x150.jpg 150w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06-768x768.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06-1536x1536.jpg 1536w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06-60x60.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-06-480x480.jpg 480w" sizes="(max-width: 1800px) 100vw, 1800px" /></a><figcaption class="wp-element-caption">Contemplación. 100&#215;100 año 2023</figcaption></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07.jpg"><img loading="lazy" decoding="async" width="1788" height="1800" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07.jpg" alt="" class="wp-image-19777" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07.jpg 1788w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07-298x300.jpg 298w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07-1017x1024.jpg 1017w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07-150x150.jpg 150w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07-768x773.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07-1526x1536.jpg 1526w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-07-60x60.jpg 60w" sizes="(max-width: 1788px) 100vw, 1788px" /></a><figcaption class="wp-element-caption">Realidad desmembrada 1. 100&#215;100 año 2022</figcaption></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08.jpg"><img loading="lazy" decoding="async" width="1800" height="1786" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08.jpg" alt="" class="wp-image-19779" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08.jpg 1800w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08-300x298.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08-1024x1016.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08-150x150.jpg 150w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08-768x762.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08-1536x1524.jpg 1536w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-08-60x60.jpg 60w" sizes="(max-width: 1800px) 100vw, 1800px" /></a><figcaption class="wp-element-caption">Realidad desmembrada 2. 100&#215;100 año 2022</figcaption></figure>



<figure class=" wp-block-image size-full eplus-wrapper"><a href="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-09.jpg"><img loading="lazy" decoding="async" width="1800" height="1543" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-09.jpg" alt="" class="wp-image-19781" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-09.jpg 1800w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-09-300x257.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-09-1024x878.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-09-768x658.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-09-1536x1317.jpg 1536w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xesus-diaz-09-60x51.jpg 60w" sizes="(max-width: 1800px) 100vw, 1800px" /></a><figcaption class="wp-element-caption">Sueño de verano. 60&#215;70 año 2021</figcaption></figure>



<div style="height:100px" aria-hidden="true" class=" wp-block-spacer eplus-wrapper"></div>



<figure class=" wp-block-image size-large eplus-wrapper"><img loading="lazy" decoding="async" width="1024" height="1024" src="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xexus-color-1024x1024.jpg" alt="" class="wp-image-19758" srcset="https://exagono.es/revista/wp-content/uploads/2024/12/maria-xexus-color-1024x1024.jpg 1024w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xexus-color-300x300.jpg 300w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xexus-color-150x150.jpg 150w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xexus-color-768x768.jpg 768w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xexus-color-60x60.jpg 60w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xexus-color-480x480.jpg 480w, https://exagono.es/revista/wp-content/uploads/2024/12/maria-xexus-color.jpg 1210w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<h2 class=" wp-block-heading eplus-wrapper">María Xesús Díaz</h2>



<p class="eplus-wrapper wp-block-paragraph">&#8220;<em>María Xesús Díaz has a long career. She studied at the School of Arts in A Coruña, her native city, and in 1987 she held her first exhibition in Madrid and A Coruña on the occasion of the 75 years Unión Fenosa Plastic Arts Exhibition. His decades in painting are marked by a path focused on the evolution towards the consolidation of his own style and experimentation with paravarguandist tendencies that lead him to the 90&#8217;s impregnated by an aesthetic that oscillates between naïf and costumbrismo. Canvases from that period reveal an author in which drawing dominated her compositions, and colour, rounded and effective, appeared less developed. Even then, she imbued her canvases with an emotional charge and a conveyance of feelings that did not leave the viewer indifferent.</em></p>



<p class="eplus-wrapper wp-block-paragraph"><em>By the beginning of the 21st century, an impressionist tendency and the deconstruction of surfaces through the palette knife will shape the style that today defines her work and initiates the path that leads her to her creative and stylistic plenitude. The most surprising thing is that, although it might seem so at first glance due to the impetus of colour, the artist from A Coruña has not abandoned figuration at all. In the staging of her compositions, we can glimpse blurred skies, trees, distant horizons, mountains, bridges, roads, seascapes and urban landscapes. Segmented by the imprint of the palette knife, and deconstructed, approaching abstraction, even the aesthetics of collage.</em></p>



<p class="eplus-wrapper wp-block-paragraph"><em>The author turns her canvases into a tribute to the poetics of the stain, to the physical trace of the pigment, magically maintaining her capacity to move, and at the same time offering a personal sample of extraordinary pictorial quality. It is the incontestable reality that he is one of the great values of Galician painting today.&#8221;&nbsp; </em>text by María Fidalgo Casares, PhD in history, researcher and art critic.</p>



<p class="eplus-wrapper wp-block-paragraph">In his pieces we find large and small spaces where the stain is the proposal, in a framework that lets the imagination fly to multiple interpretations, always leading to comforting feelings. To approach his painting is to approach his inner self.</p>



<p class="eplus-wrapper wp-block-paragraph">The painter&#8217;s work visits different cities in Spain and abroad. She participates in different art fairs and artistic meetings. These activities become an important part of her life and lead her to establish a knowledge of the works and artists.</p>



<p class="eplus-wrapper wp-block-paragraph">He is a member of the jury for various prizes and competitions. Highlights: Premios da crítica de Galicia 2020 &#8211; Balconadas de Betanzos 2018, 2019, 2024 &#8211; Certamen Fernández Leizeaga Sesé 2022. He is a member of the art group Colectivo Cero. His work can be found in various public and private collections.</p>



<p class="eplus-wrapper wp-block-paragraph">Recent collaborations and projects</p>



<p class="eplus-wrapper wp-block-paragraph"><a href="https://revistamadridcultural.blogspot.com/2024/09/xesus-diaz-licencia-emocional-maria.html" target="_blank" rel="noreferrer noopener">Exposición Licencia Emocional en Herraiz Galería de Arte (Madrid)&nbsp;</a><br><a href="https://www.30dias.es/cultura/arte/colectivo-cero-celebra-su-20-aniversario-con-una-exposicion-en-betanzos" target="_blank" rel="noreferrer noopener">Colectivo Cero 20 Aniversario en la sala Jesús Núñez de Betanzos</a><br><a href="https://www.diariodesantiago.es/lo-ultimo/comeza-o-xvii-encontro-coa-arte-en-brion/" target="_blank" rel="noreferrer noopener">Encontro coa arte lebrando a Luisa Villalta</a><br><a href="https://21noticias.com/2024/04/09/retratos-dun-tempo-da-plastica-galega-de-xulio-gil-en-afundacion-de-a-coruna/?fbclid=IwAR15WoD0RjoaUL8G4Me8IgXCsfK3xt1E73_xZjb8JKcw8SIQr-NLgkasZJI_aem_AZp1GUsu-J-1REwiNEzR-ejmG52kLdjAMjiNCaXJNonMltOUOnDx3UZhhvSjx_Ve0JVMjFRRpOSZ0ISisJp-FmuB" target="_blank" rel="noreferrer noopener">Retratos dun tempo da Plástica Galega a Fundación a Coruña</a><br><a href="https://21noticias.com/2024/04/07/conferencia-y-exposicion-del-colectivo-cero-en-martos-jaen/" target="_blank" rel="noreferrer noopener">Conferencia y Exposición del Colectivo Cero en Martos (Jaén)</a><br><a href="https://21noticias.com/2023/10/22/exposicion-de-xulio-gil-retratos-dun-tempo-da-plastica-galega-afundacion-vigo/" target="_blank" rel="noreferrer noopener">Retratos dun tempo da Plástica Galega a Fundacion Vigo</a><br><a href="https://enfoques.gal/compostela/brion/brion-llevara-a-los-artistas-de-sus-encontros-coa-arte-a-padron-y-rois/" target="_blank" rel="noreferrer noopener">Encontro coa arte lebrando a Francisco Fernández del Riego Concello de Brión.</a></p>



<p class="eplus-wrapper wp-block-paragraph">Source: María Xesús Díaz.</p>


<div class="wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-0c40d5"><div class="wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow eplus-styles-uid-11d33e">
<p class="eplus-wrapper wp-block-paragraph"><strong>María Xesús Díaz<br></strong>+34 665 485 087<br>mariaxdiaz@yahoo.es<br><a href="https://www.mariaxesusdiaz.com/" target="_blank" rel="noreferrer noopener">www.mariaxesusdiaz.com</a></p>
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