{"id":16861,"date":"2024-10-21T16:20:22","date_gmt":"2024-10-21T16:20:22","guid":{"rendered":"https:\/\/exagono.es\/prosper-riba-el-joven-artesano-del-arte-del-vidrio-que-sono-un-dia-con-los-magnificos-bosques-de-bohemia\/"},"modified":"2025-05-03T09:24:39","modified_gmt":"2025-05-03T09:24:39","slug":"prosper-riba-the-young-glass-artisan-who-once-dreamt-of-the-magnificent-forests-of-bohemia","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/prosper-riba-the-young-glass-artisan-who-once-dreamt-of-the-magnificent-forests-of-bohemia\/","title":{"rendered":"Pr\u00f2sper Riba, the young glass artisan who once dreamt of the magnificent forests of Bohemia"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-bcc61e wp-block-paragraph\">The young glass artisan and designer Pr\u00f2sper Riba Vilardell\u2014who once dreamt of the magnificent forests of Bohemia while immersed in a rigorous process of learning\u2014now develops his project<a href=\"https:\/\/theglassapprentice.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u00a0The Glass Apprentice<\/a>\u00a0in Barcelona.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\">Under this label, Pr\u00f2sper creates, produces and markets his works, collaborates with various design firms and professionals, and shares his knowledge with students. The team of\u00a0<em>The Glass Apprentice<\/em>\u00a0is composed of <strong>Pr\u00f2sper Riba Vilardell<\/strong> and Portuguese artisan <strong>Telma Ara\u00fajo<\/strong>, his assistant and a goldsmith.<\/p>\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed alignwide is-type-video is-provider-youtube wp-block-embed-youtube eplus-wrapper\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Touchstone for Mobles114\" width=\"1400\" height=\"788\" src=\"https:\/\/www.youtube.com\/embed\/ytMDRsFhFOI?feature=oembed&#038;rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Pr\u00f2sper Riba muestra en este v\u00eddeo su proceso de trabajo, en este caso, en un proyecto en colaboraci\u00f3n con Mobles 114.<\/figcaption><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-4a6cfa wp-block-paragraph\">On his father\u2019s side, Pr\u00f2sper descends from a family of Catalan artists who, for generations, have worked in sculpture, literature, music, and metalwork\u2014some of them leaving their mark on their era. His mother, a stage director, named him after the protagonist of Shakespeare\u2019s\u00a0<em>The Tempest<\/em>.<\/p>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">He studied at the German School of Barcelona and later at Escola Massana, where he discovered blown glass. This marked the beginning of a journey through various schools and studios: Penland School of Craft (USA), Provincial Archaeological Museum (Belgium), Glassworks Matteo Gonet (Switzerland), Glash\u00fctte Comploj (Austria), JMW_Studio and Flu\u00efd (France), and\u2014most notably\u2014Glasfachschule Zwiesel and Bild-Werk in Germany, the birthplace of the Studio Glass Movement.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Alongside this training, his own research has focused on mastering and transforming the spherical nature of blown glass, its sculptural expressiveness, the visual qualities of glass as a material, geometry, and the interplay of light, form and color. He has exhibited these explorations in collective exhibitions in Spain and internationally.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\">The name\u00a0<em>The Glass Apprentice<\/em>\u00a0reflects the idea that glassmaking, an ancient technique, has traditionally been considered a form of initiatory knowledge. For Pr\u00f2sper, it expresses that experimentation and learning are central to his creative process\u2014where northern European craftsmanship meets the Mediterranean\u2019s playful and curious spirit.<\/p>\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-2 eplus-wrapper wp-block-gallery-1 eplus-styles-uid-271b90\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1800\" height=\"1651\" data-id=\"16310\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01.jpg\" alt=\"\" class=\"wp-image-16310\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01-300x275.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01-1024x939.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01-768x704.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01-1536x1409.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01-60x55.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso01-600x550.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02.jpg\"><img decoding=\"async\" width=\"1200\" height=\"1543\" data-id=\"16304\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02.jpg\" alt=\"\" class=\"wp-image-16304\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02-233x300.jpg 233w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02-796x1024.jpg 796w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02-768x988.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02-1195x1536.jpg 1195w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02-60x77.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso-02-600x772.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209.jpg\"><img decoding=\"async\" width=\"1200\" height=\"1800\" data-id=\"16129\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209.jpg\" alt=\"\" class=\"wp-image-16129\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00209-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1200\" data-id=\"16307\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3.jpg\" alt=\"\" class=\"wp-image-16307\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/proceso3-100x100.jpg 100w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/figure>\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-2 eplus-wrapper wp-block-gallery-2 eplus-styles-uid-271b90\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" data-id=\"16139\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953.jpg\" alt=\"\" class=\"wp-image-16139\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/DSC00953-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">Pr\u00f2sper Riba and Telma Ara\u00fajo, his assistant and goldsmith<\/figcaption><\/figure>\n<\/figure>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The pandemic brought him back to Barcelona, where he forged professional relationships with the workshop of the Glass Museum of Vimbod\u00ed i Poblet (Tarragona) and the Royal Glass Factory of La Granja (Segovia) to help bring his project to life. He currently works from his studio in Barcelona\u2019s Sant Mart\u00ed district.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Pr\u00f2sper Riba Vilardell was recently awarded the\u00a0<em>Premio Nacional de Artesan\u00eda Emprende<\/em>\u00a0by the Catalan government. He was also named one of\u00a0<em>AD Spain\u2019s<\/em>\u00a0Best of Espa\u00f1a 2023, alongside 23 other emerging talents.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Pr\u00f2sper shared with us this beautiful text:<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">\u201c<em>When I was a child, I loved to take things apart and rebuild them in new forms. Now, when I gather glass from the furnace, it is a formless mass\u2014until I shape it.<br>When I was a child, I was diagnosed with diplopia\u2014double vision. Sometimes I wonder if the focus and concentration required when blowing glass has something to do with those long hours of visual training to make my eyes converge.<br>I was also diagnosed with superior visual acuity, meaning I have a heightened ability to recognize analogies between forms. Now I create analogies between my emotions and the shapes I make.<br>Where others saw red, green or blue, I saw endless shades of each. Today, color is often the starting point for my work\u2014sometimes even more than form.<br>In my youth I studied Industrial Modelling. 3D design was a fundamental tool. Now I use digital tools to design my pieces.<br>I\u2019m drawn to the untamed personality of glass and the care and tenderness it demands. I\u2019m glad to have received a demanding and disciplined training from my German mentors, which I\u2019ve infused with my Mediterranean playfulness.<br>I consider myself an apprentice because I see my path as an artist as an endless journey. There is always something beautiful or surprising ahead<\/em>.\u201d<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">A continuaci\u00f3n, nos explica una selecci\u00f3n de su obra con todo detalle:<\/p>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Don Quijote<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Hyacinth bulbs for autumn-winter and vases for flowers during the rest of the year. This collection is inspired by the slender, elongated and free figure of Don Quixote, evoking the image of a hyacinth blooming in very cold water during the winter solstice.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The colors are applied during the production process. Each piece is made from original designs, mouth-blown in beechwood molds and finished with traditional techniques used by Bohemian glass artisans.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\">The hyacinth bulb, with its white roots growing in water and its fragrant flower rising into the air, creates a beautiful and harmonious link between design and nature. Witnessing this transformation is a delight for lovers of both the natural world and interior design.<\/p>\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default eplus-wrapper wp-block-gallery-3\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"1800\" data-id=\"16148\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01.jpg\" alt=\"\" class=\"wp-image-16148\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01.jpg 1001w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01-167x300.jpg 167w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01-569x1024.jpg 569w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01-768x1381.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01-854x1536.jpg 854w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01-60x108.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-01-600x1079.jpg 600w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1282\" height=\"1800\" data-id=\"16150\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02.jpg\" alt=\"\" class=\"wp-image-16150\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02.jpg 1282w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02-214x300.jpg 214w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02-729x1024.jpg 729w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02-768x1078.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02-1094x1536.jpg 1094w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02-60x84.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/quijote-02-600x842.jpg 600w\" sizes=\"(max-width: 1282px) 100vw, 1282px\" \/><\/a><\/figure>\n<\/figure>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-4a6cfa\">Big Dancers<\/h2>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Despite their majesty and scale, the&nbsp;<em>Big Dancers<\/em>&nbsp;collection shares the same philosophy and intent as the&nbsp;<em>Little Dancers<\/em>, but adds a new layer: their presence as totemic figures that summon life\u2014the physical, the tactile, the sensory\u2014the kind that gives rise to emotion.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">With their sculptural forms and ethereal dance in the wind, full of color and movement, the&nbsp;<em>Big Dancers<\/em>&nbsp;remind us that beauty can transcend the limits of visibility. Like&nbsp;<em>Sky Dancers<\/em>, these glass giants sway with the breeze, defying gravity and captivating our imagination with elegance. They invite us to flow with life, to engage and interact.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Each&nbsp;<em>Big Dancer<\/em>&nbsp;stands as an individual, a shape-color with its own personality and mood. They embody emotional nature shaped by social interaction and cultural frameworks.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Measuring 30 cm or more, each\u00a0<em>Big Dancer<\/em>\u00a0is a unique piece composed of several assembled blown-glass elements. They are made from clear glass with a significant proportion of cullet that gives them their signature dense and vibrant color.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-2 eplus-wrapper wp-block-gallery-4\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1142\" height=\"1142\" data-id=\"16152\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01.jpg\" alt=\"\" class=\"wp-image-16152\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01.jpg 1142w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-01-100x100.jpg 100w\" sizes=\"(max-width: 1142px) 100vw, 1142px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1307\" height=\"1800\" data-id=\"16158\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04.jpg\" alt=\"\" class=\"wp-image-16158\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04.jpg 1307w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04-218x300.jpg 218w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04-744x1024.jpg 744w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04-768x1058.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04-1115x1536.jpg 1115w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04-60x83.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-04-600x826.jpg 600w\" sizes=\"(max-width: 1307px) 100vw, 1307px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1385\" data-id=\"16154\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02.jpg\" alt=\"\" class=\"wp-image-16154\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02-300x231.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02-1024x788.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02-768x591.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02-1536x1182.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02-60x46.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-02-600x462.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-03.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1600\" data-id=\"16156\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-03.jpg\" alt=\"\" class=\"wp-image-16156\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-03.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-03-225x300.jpg 225w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-03-768x1024.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-03-1152x1536.jpg 1152w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-03-60x80.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/big-dancer-03-600x800.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Little Dancer<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">This collectible series is crafted exclusively with vintage glass cullet in various colors, often from discontinued batches. The&nbsp;<em>Little<\/em>&nbsp;universe began at Bild-Werk, Germany, when master glassmaker Heinz Fischer gifted Pr\u00f2sper a collection of cullet dating back to the 1940s.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The goal of experimenting with this viscous, dense and mineral-rich material was to transform the classic glass bubble into geometric shapes: cone, cylinder, sphere\u2026 But as he immersed himself in the playful behavior of molten glass\u2014its dance and emotional fluidity\u2014visual analogies emerged that whimsically evoked the human condition.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\">Each\u00a0<em>Little Dancer<\/em>, unique in shape and color, becomes part of a visual dialogue when grouped with others\u2014adding ironic, melancholic or joyful nuances to the individual piece.\u00a0<\/p>\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default eplus-wrapper wp-block-gallery-5\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" data-id=\"16161\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01.jpg\" alt=\"\" class=\"wp-image-16161\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-01-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" data-id=\"16163\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02.jpg\" alt=\"\" class=\"wp-image-16163\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/little-dancer-02-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><\/figure>\n<\/figure>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-4a6cfa\">Touchstone<\/h2>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\"><em>Touchstone<\/em>&nbsp;was born from a collaboration with Mobles 114. The brief was to design and create pieces that would form a connection between traditional blown glass and their&nbsp;<em>Elige<\/em>&nbsp;display cabinet.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Each piece is blown and shaped entirely by hand. During the process, the bi-colored bubble is stretched to the limits of elasticity until gravity causes it to collapse. Chance plays a key role, making every object different and unique.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\"><em>Touchstone<\/em>\u00a0was exhibited at the Mobles 114 stand at the Salone del Mobile in Milan, and later presented in their showroom during BDW2022.<\/p>\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default eplus-wrapper wp-block-gallery-6\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" data-id=\"16165\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01.jpg\" alt=\"\" class=\"wp-image-16165\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-01-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" data-id=\"16167\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02.jpg\" alt=\"\" class=\"wp-image-16167\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Touchstone-02-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n<\/figure>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-4a6cfa\">Eclipsis<\/h2>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The&nbsp;<em>Eclipsis<\/em>&nbsp;lamps explore light and shadow\u2014what is visible and what remains hidden\u2014using various techniques such as roll-up, incalmo and custom methods. Their aesthetic is inspired by the phenomenon of eclipses.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Just as the moon passes between the sun and earth during a solar eclipse, these lamps create a kind of meta-eclipse: the object itself occludes part of its own form as it rotates in relation to the viewer, heightening mystery and curiosity. One side of the lamp can hide the other.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\">With their bold visual presence,\u00a0<em>Eclipsis<\/em>\u00a0lamps are capable of defining the entire atmosphere of a room.<\/p>\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped eplus-wrapper wp-block-gallery-7\">\n<figure class=\" wp-block-image size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"664\" height=\"1024\" data-id=\"16169\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/eclipsispg-664x1024.jpg\" alt=\"\" class=\"wp-image-16169\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/eclipsispg-664x1024.jpg 664w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/eclipsispg-195x300.jpg 195w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/eclipsispg-768x1185.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/eclipsispg-60x93.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/eclipsispg-600x925.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/eclipsispg.jpg 968w\" sizes=\"(max-width: 664px) 100vw, 664px\" \/><\/figure>\n<\/figure>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-4a6cfa\">Matriu<\/h2>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">In Catalan,&nbsp;<em>matriu<\/em>&nbsp;means womb\u2014the organ where life begins. The&nbsp;<em>Matriu<\/em>&nbsp;lamp, with its delicate, fragile joints and connections, evokes the act of artistic creation.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Formed by three identical glass pieces that embrace a brass element, it symbolizes the three stages of inspiration: the idea, the fluctuating idea, and the realized idea. Once this creation takes shape, the artist delicately picks it up\u2014using thumb and forefinger\u2014as if it were something fragile. The brass piece crowning the lamp takes the form of this gesture: a pinch.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\"><em>Matriu<\/em>\u00a0brings together the ethereal sheet-like quality of glass, the playful character of the brass shapes, the vibrant presence of its cable, and a touch of innocent craftsmanship. The result is a lighting piece that becomes a catalyst for style and ambiance\u2014versatile enough to work in both functional and playful spaces.<\/p>\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default eplus-wrapper wp-block-gallery-8\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" data-id=\"16171\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01.jpg\" alt=\"\" class=\"wp-image-16171\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-01-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" data-id=\"16175\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited.jpg\" alt=\"\" class=\"wp-image-16175\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited.jpg 800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/matriu-02-edited-100x100.jpg 100w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n<\/figure>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-4a6cfa\">Escates<\/h2>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\"><em>Escates<\/em>\u2014opaque, translucent or transparent\u2014are the result of the project&nbsp;<em>Contemporary Colored Glass. Research and Investigation<\/em>, supported by the Catalan Ministry of Culture and developed during a residency at the Glass Workshop of the Vimbod\u00ed i Poblet Museum (Tarragona).<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Blown glass is traditionally worked from the center outward. Here, the intention was to reverse that, working inward\u2014toward a hidden, mysterious space, perhaps even a space of protection or refuge. The goal was to emphasize verticality and suggest fluidity through convex forms.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">These pieces speak in poetic, contemporary terms about social combinations: power, lack of it, unity, connection, dispersion, light and darkness.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Thinking about the molecular structure of opaque glass\u2014countless micro-crystals formed by metal oxides that disrupt vision through the material\u2014Pr\u00f2sper imagines a swarm of tiny beings trapped inside. Their union would block transparency entirely. A color gradient, on the other hand, might suggest conquest, defeat or extinction. A spot of color could symbolize a gathering of unique individuals. Two colors, a shared society or even the birth of a friendship.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\">These imagined societies need a world to inhabit\u2014and this is where form comes into play: the\u00a0<em>scale<\/em>\u00a0(in his native tongue,\u00a0<em>escata<\/em>). Through color, each piece tells a story\u2014whether neutral, pure, bold or sinister. This collection was created in collaboration with sculptor David Roa.<\/p>\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default eplus-wrapper wp-block-gallery-9\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" data-id=\"16179\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01.jpg\" alt=\"\" class=\"wp-image-16179\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-01-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" data-id=\"16181\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02.jpg\" alt=\"\" class=\"wp-image-16181\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/escates-02-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><\/figure>\n<\/figure>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-4a6cfa\">Phoenix<\/h2>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Behind the robust and hermetic appearance of these pieces lies a concept that weaves together three emotional states: stress, relaxation, and euphoria. The collection is the result of an exploration of various traditional techniques\u2014incalmo, Swedish overlay, gradient, pop of punty\u2014and a personal investigation into color degradation in blown glass.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The first violet gradient represents a tension zone. The color is intense, marking the point of origin. This tension gradually fades to transparency, then folds inward as energy begins to rebuild. From within, it slowly rises again\u2014like a phoenix.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The contact point between these two emotional states\u2014achieved through the&nbsp;<em>incalmo<\/em>&nbsp;technique, in which the cylinder continues to grow\u2014signifies a new beginning. A new phase in which tension has passed and a gentle color gradient gives way to triumphant euphoria.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\"><em>Phoenix<\/em>\u00a0is a visual narrative of emotional evolution.<\/p>\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default eplus-wrapper wp-block-gallery-10\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1193\" data-id=\"16258\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01.jpg\" alt=\"\" class=\"wp-image-16258\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01-1024x679.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01-768x509.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01-1536x1018.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/Phoenix-01-600x398.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Este el proceso de creaci\u00f3n de Phoenix:<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-2 eplus-wrapper wp-block-gallery-11\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16184\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16184\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/1-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">Two bubbles are joined, featuring a color gradient.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16186\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16186\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/2-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">Thanks to the Swedish technique, the two color gradients merge together.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16188\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16188\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/3-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">The bubble has been shaped and is ready for a new gather.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16190\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16190\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/4-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">The bubble is inflated to the desired size and opened at the tip.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16192\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16192\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/5-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">Assisted by a wooden cone, the tip is folded into the bubble.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16194\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16194\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/6-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">A new bubble is created. It will serve as a transfer element.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16196\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16196\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/7-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">The inward-folded bubble is transferred onto the disc.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16198\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16198\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/8-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">Using jacks, the bubble is opened and the walls are straightened.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16200\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16200\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/9-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">The folded section is revealed and reheated with a high-temperature torch.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16202\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16202\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/10-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">Straightening an interior wall to prepare for the placement of the second bubble.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16204\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16204\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/11-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">Incalmo process: the two edges with identical diameters are joined.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16206\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16206\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/12-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">Inflated with a sopietta, adding slight length and a thinner wall.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16208\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16208\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/13-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">The piece is shaped into a cylinder and the rim is expanded until it reaches a flat level.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1800\" data-id=\"16210\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1.jpg\" alt=\"\" class=\"wp-image-16210\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/10\/14-1920x1920-1-100x100.jpg 100w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/a><figcaption class=\"wp-element-caption\">To obtain a sharp rim, two wooden paddles are used to shape the form.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Source: The Glass Apprentice.<\/p>\n\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-5517fd\"><div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow eplus-styles-uid-11d33e\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>The Glass Apprentice<br><\/strong>Barcelona<br><a href=\"mailto:theglassapprentice@gmail.com\">theglassapprentice@gmail.com<\/a><br><a href=\"https:\/\/theglassapprentice.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">theglassapprentice.com<\/a><\/p>\n<\/div>\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The name The Glass Apprentice, his creative project, is no coincidence. With it, Pr\u00f2sper Riba aims to express that experimentation and learning lie at the core of his philosophy and practice. His work blends the artisanal discipline of northern Europe with a Mediterranean spirit of playfulness and exploration.<\/p>\n","protected":false},"author":1,"featured_media":16124,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":""},"categories":[742,632],"tags":[762,1399,763,764],"ppma_author":[249],"class_list":["post-16861","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-crafts-en","tag-artesania-del-vidrio-en","tag-artistas-plasticos-en","tag-prosper-riba-en","tag-vidrio-soplado-en"],"authors":[{"term_id":249,"user_id":1,"is_guest":0,"slug":"amoratinos","display_name":"Ex\u00e1gono","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/95418ef5af1f1a520d5386cfe82ba253c88665f94a4343ec69a36d8df034ab4b?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/16861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=16861"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/16861\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/16124"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=16861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=16861"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=16861"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=16861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}