{"id":21931,"date":"2024-11-06T08:10:58","date_gmt":"2024-11-06T08:10:58","guid":{"rendered":"https:\/\/exagono.es\/francisco-jaramillo-disena-la-coleccion-ibuju-inspirada-en-la-estetica-indigena-amazonica-realizada-por-artesanos-locales-con-fibras-naturales\/"},"modified":"2025-03-16T09:50:10","modified_gmt":"2025-03-16T09:50:10","slug":"francisco-jaramillo-designs-the-ibuju-collection-inspired-by-amazonian-indigenous-aesthetics-made-by-local-artisans-with-natural-fibres","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/francisco-jaramillo-designs-the-ibuju-collection-inspired-by-amazonian-indigenous-aesthetics-made-by-local-artisans-with-natural-fibres\/","title":{"rendered":"Francisco Jaramillo designs the Ibuju collection inspired by Amazonian indigenous aesthetics, made by local artisans with natural fibres."},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-d9c685 wp-block-paragraph\">Yar\u00e9 fibre is an example of the great biodiversity that Colombia possesses. This fibre extracted by indigenous communities in southern Colombia grows attached to trees and is used by artisans in local communities. The <strong>Ibuju<\/strong> collection includes several pieces made from the natural yar\u00e9 fibre inspired by the indigenous Amazonian aesthetic to celebrate the culture of the region, while highlighting the need to preserve its biodiversity.<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17698\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_2Ibuju-coffeetable-_-Collection-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\"><img decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17700\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_4Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\"><img decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17702\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_5Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17704\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_6Ibuju-coffeetable-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The starting point for the designs is typical wooden furniture, but reimagined in a natural material that does not require felling the tree it grows on. &#8220;<em>I try to reference a piece of furniture that could have been built from wood, but is now made from a regenerative fibre that only relies on the tree that might have been felled<\/em>&#8221; says Jaramillo.<\/p>\n\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17709\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_2Ibuju-bench-Detail-_-Collection-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17711\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Ibuju-bench-_-Collection-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17713\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Ibuju-SideTable01-_-Collection-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17715\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/5_5Ibuju-Chair-_-Collection-Detail-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg\" alt=\"\" class=\"wp-image-17717\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/6_Ibuju-Sofa-_-Collection-_-ph.Departamento-de-arte-_-2023-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-4a6cfa wp-block-paragraph\">The collection aims to draw attention to the social and economic implications of deforestation, as the loss of the forest puts pressure on the local communities that depend on its resources. &#8220;<em>Excessive demand for timber leads to logging and, consequently, the possible disappearance of other species<\/em>&#8221; explains Jaramillo. The yare is negatively affected by the deforestation of the forest and its disappearance implies a social and economic loss for these communities.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-271b90 wp-block-paragraph\">Made by local artisans near Medell\u00edn, Colombia, the furniture is created using traditional weaving techniques, and each piece takes up to eight weeks to produce. &#8220;<em>The aim of this collection is to document and make visible to designers, creators and the general public the importance of using local resources responsibly<\/em>&#8221; explains Jaramillo.<br><\/p>\n\n\n<div class=\"wp-block-image-gallery-block-image-gallery-block alignwide\"><div class=\"eb-parent-wrapper eb-parent-eb-image-gallery-y4b6u \"><div class=\"eb-gallery-img-wrapper eb-image-gallery-y4b6u grid overlay-bottom caption-style-0   no-isotope \" data-id=\"eb-image-gallery-y4b6u\"><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Process-_-Collection-_-ph.Juliana-Gomez-Quijano-_-2023.jpg\" rel=\"noopener\" data-fslightbox=\"gallery\" data-type=\"image\" class=\"eb-gallery-img-content eb-filter-img-\"><span class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/4_Process-_-Collection-_-ph.Juliana-Gomez-Quijano-_-2023.jpg\" image-index=\"0\" alt=\"\"\/><\/span><\/a><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/0_Process-_-Collection-_-ph.Juliana-Gomez-Quijano-_-2023.jpg\" rel=\"noopener\" data-fslightbox=\"gallery\" data-type=\"image\" class=\"eb-gallery-img-content eb-filter-img-\"><span class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/0_Process-_-Collection-_-ph.Juliana-Gomez-Quijano-_-2023.jpg\" image-index=\"1\" alt=\"\"\/><\/span><\/a><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_Process-_-Collection-_-ph.Juliana-Gomez-Quijano-_-2023.jpg\" rel=\"noopener\" data-fslightbox=\"gallery\" data-type=\"image\" class=\"eb-gallery-img-content eb-filter-img-\"><span class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/1_Process-_-Collection-_-ph.Juliana-Gomez-Quijano-_-2023.jpg\" image-index=\"2\" alt=\"\"\/><\/span><\/a><a href=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/3_Process-_-Collection-_-ph.Juliana-Gomez-Quijano-_-2023-1.jpg\" rel=\"noopener\" data-fslightbox=\"gallery\" data-type=\"image\" class=\"eb-gallery-img-content eb-filter-img-\"><span class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/3_Process-_-Collection-_-ph.Juliana-Gomez-Quijano-_-2023-1.jpg\" image-index=\"3\" alt=\"\"\/><\/span><\/a><\/div><\/div><\/div>\n\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez-1024x683.jpg\" alt=\"\" class=\"wp-image-17725\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez-600x400.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/2_Process_Ibuju_Fango_Photo-Yohan-Lopez.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-4a6cfa wp-block-paragraph\"><strong>The Ibuju collection <\/strong>aims to highlight the importance of sustainable design. The group of pieces is constantly developing and is open to different collaborations with collectors and interior designers.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\">The collection earned Francisco Jaramillo recognition from Dwell magazine as one of Dwell magazine&#8217;s 24 Designers of the Year in 2022. A year later, the bench and stool were Wallpaper Awards winners, selected as Best New Fabrics, and featured in SightUnseen&#8217;s selection of favourite objects in their selection of favourite objects. In 2024, the collection was nominated for the Dezeen Awards in the sustainability design category and received a Design Miami commendation in the Where we stand category. The pieces have been exhibited at Design Miami 2023 by Side, as well as at CasaVells the same year with the same gallery. They were part of the Design Parade in Hyeres and were selected by Elle Decoration magazine as a special project for Milan Design Week.<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/francisco-Jaramillo-color-1024x731.jpg\" alt=\"\" class=\"wp-image-17735\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/francisco-Jaramillo-color-1024x731.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/francisco-Jaramillo-color-300x214.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/francisco-Jaramillo-color-768x548.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/francisco-Jaramillo-color-1536x1097.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/francisco-Jaramillo-color-60x43.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/francisco-Jaramillo-color-600x428.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/11\/francisco-Jaramillo-color.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Francisco Jaramillo<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Francisco Jaramillo (Medell\u00edn), creator of the Fango brand, is an award-winning Colombian designer who uses local materials for his furniture, resulting in uniquely Colombian pieces. By collaborating with local artisans and imparting his knowledge of processes and materials through teaching, he has helped shape a design culture that does not derive its methods solely from Western or international influences.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Growing up in Medell\u00edn, Jaramillo always looked to the sky to derive shapes from the clouds, and today his design continues to be inspired by his surroundings, drawing on local materials rooted in place. After completing his university studies, the designer travelled to Barcelona to specialise in furniture design at Elisava, working with designers who influenced his work with local materials. Upon returning to Colombia, he founded Fango, which explores the relationship between man, context and object, combining technology with craftsmanship to create collectible furniture driven by a clear narrative.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">As a result of his close collaboration with artisans, Jaramillo began to study local materials, developing the Ibuju collection, which rethinks the design and manufacture of native wood pieces using a natural and renewable fibre called &#8220;Yar\u00e9&#8221;. The Ibuju stool earned Jaramillo a Wallpaper* Design Award 2023 in the &#8220;Best New Weaves&#8221; category. The designer has also participated in design weeks around the world, such as Dutch Design Week, Wanted Design, Abierto Mexicano de Dise\u00f1o and Medell\u00edn Design Week.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\"><\/p>\n\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-b1ead1\"><div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow eplus-styles-uid-11d33e\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Fango. Francisco Jaramillo<\/strong><br><a href=\"https:\/\/www.instagram.com\/fangostudio\/\" target=\"_blank\" rel=\"noreferrer noopener\">@fangostudio<\/a><\/p>\n<\/div>\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Colombian brand Fango directed by Francisco Jaramillo has created the Ibuju furniture collection in yar\u00e9 fibre, with the aim of addressing the problems of deforestation in the Amazon, exploring the relationship between local artisans and their environment.<\/p>\n","protected":false},"author":1,"featured_media":17746,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":"","_ppma_block_editor_authors":""},"categories":[632,635],"tags":[1235,1269,1271,1243],"ppma_author":[249],"class_list":["post-21931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-crafts-en","category-design","tag-amazonas-en","tag-fango-en","tag-francisco-jaramillo-en","tag-indigenous-crafts"],"authors":[{"term_id":249,"user_id":1,"is_guest":0,"slug":"amoratinos","display_name":"Ex\u00e1gono","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/95418ef5af1f1a520d5386cfe82ba253c88665f94a4343ec69a36d8df034ab4b?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/21931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=21931"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/21931\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/17746"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=21931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=21931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=21931"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=21931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}