{"id":24667,"date":"2025-01-30T09:57:46","date_gmt":"2025-01-30T09:57:46","guid":{"rendered":"https:\/\/exagono.es\/carpenters-workshop-gallery-paris-presenta-la-exposicion-cruise-25-con-una-seleccion-internacional-de-artistas-y-disenadores\/"},"modified":"2025-05-09T09:51:14","modified_gmt":"2025-05-09T09:51:14","slug":"carpenters-workshop-gallery-paris-presents-cruise-25-an-international-showcase-of-artists-and-designers","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/carpenters-workshop-gallery-paris-presents-cruise-25-an-international-showcase-of-artists-and-designers\/","title":{"rendered":"Carpenters Workshop Gallery Paris presents Cruise 25, an international showcase of artists and designers"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-bcc61e wp-block-paragraph\">With scenography by Parisian architect Jean de Pi\u00e9pape and through their colours, shapes and materials, the artworks in <a href=\"https:\/\/carpentersworkshopgallery.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Carpenters Workshop Gallery<\/a>&#8216; s Cruise 25 exhibition animate the spaces they inhabit, inviting the viewer to consider the diverse environments and contexts to which these pieces can relate.<\/p>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Cruise 25<\/strong> presents different perspectives and creative approaches from around the world, with works by an international selection of artists and designers: Maarten Baas, Aldo Bakker, Sebastian Brajkovic, Zanine Caldas, Campana Brothers, Nacho Carbonell, Vincenzo De Cotiis, Drift, Vincent Dubourg, Ingrid Donat, Kendell Geers, Roger Herman, Studio Job, Kostas Lambridis, Gareth Mason, Wonmin Park, Rick Owens, Martin Sz\u00e9kely, Charles Trevelyan and Atelier Van Lieshout.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">With over 90 works, this exhibition invites the viewer to consider art and design as a journey of discovery, allowing contemporary craftsmanship to serve as a guide to culturally stimulating encounters.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\">We present some of the artists present in the <strong>Cruise 25<\/strong> exhibition.<br><a href=\"https:\/\/carpentersworkshopgallery.com\/exhibitions\/cruise-paris-2025\/\" target=\"_blank\" rel=\"noreferrer noopener\">More information<\/a>.<\/p>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-ad6dc7\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1440\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01.jpg\" alt=\"\" class=\"wp-image-24502\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01.jpg 1440w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01-240x300.jpg 240w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01-819x1024.jpg 819w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01-768x960.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01-1229x1536.jpg 1229w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01-60x75.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01-480x600.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/aki-01-600x750.jpg 600w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img decoding=\"async\" width=\"1440\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02.jpg\" alt=\"\" class=\"wp-image-24504\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02.jpg 1440w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02-240x300.jpg 240w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02-819x1024.jpg 819w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02-768x960.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02-1229x1536.jpg 1229w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02-60x75.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02-480x600.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Aki-02-600x750.jpg 600w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><figcaption class=\"wp-element-caption\">Aki+Arnaud Cooren. Tiss-Tiss Rocking Chair Black. Patinated Aluminium (Patina: Black). 84.5 x 58 x 90 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-29d8b8\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-large eplus-wrapper\"><img decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--1024x1024.jpg\" alt=\"\" class=\"wp-image-24441\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN--100x100.jpg 100w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/AKIARNAUD-COOREN-.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Aki+Arnaud Cooren<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Through their minimalist Franco-Japanese design aesthetic, Aki+Arnaud Cooren seek to integrate subtle references to nature into the interiors and everyday objects they create. Since opening their design studio Aki+Arnaud Cooren in 1999, they have worked on interior, product and furniture design projects, as well as set designs for brands such as Shiseido, Artemide, L&#8217;Or\u00e9al, Manufacture Nationale de S\u00e8vres, Yamagiwa, Saint Louis, Boffi Bains, Cartier and Vertigo Bird. <a href=\"https:\/\/exagono.es\/en\/profesionales\/akiarnaud-cooren\/\">More info<\/a><\/p>\n<\/div>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-e687f4\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1440\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3.jpg\" alt=\"\" class=\"wp-image-24508\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3.jpg 1440w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3-240x300.jpg 240w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3-819x1024.jpg 819w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3-768x960.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3-1229x1536.jpg 1229w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3-60x75.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3-480x600.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-3-600x750.jpg 600w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1440\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4.jpg\" alt=\"\" class=\"wp-image-24510\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4.jpg 1440w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4-240x300.jpg 240w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4-819x1024.jpg 819w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4-768x960.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4-1229x1536.jpg 1229w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4-60x75.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4-480x600.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ATELIER-VAN-LIESHOUT-Deer-Lamp-4-600x750.jpg 600w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><figcaption class=\"wp-element-caption\">Atelier Van Lieshout. Deer Lamp. 2017. Bronze, Light Fittings. 62 x 45 x\u00a0 24 cm<br><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-b66f4f\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-1024x1024.jpg\" alt=\"\" class=\"wp-image-24446\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn-100x100.jpg 100w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/VAN-LIESHOUT-bn.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Van Lieshout<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Van Lieshout produces work at the boundaries between art, design and architecture. He combines an imaginative aesthetic and ethic with an entrepreneurial spirit; his work has driven movements in the fields of architecture and ecology. His works have been included in the Gwangju, Venice, Yokohama, Christchurch, Shanghai and S\u00e3o Paulo Biennials. Atelier Van Lieshout has won many prizes since 1991, including the prix de Rome in 1995. <a href=\"https:\/\/exagono.es\/en\/profesionales\/atelier-van-lieshout\/\">More info<\/a><\/p>\n<\/div>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-c5f5cd\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02.jpg\" alt=\"\" class=\"wp-image-24517\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_02-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1.jpg\" alt=\"\" class=\"wp-image-24515\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/ES-THESSALY-2022-BenjaminBaccarani_01-1-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Eric Schmitt. Table Thessaly. 2021. Green patinated bronze, Lava stone top. 75 x 45 x 145 cm.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-ec8ae1\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-1024x1024.jpg\" alt=\"\" class=\"wp-image-24461\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt-100x100.jpg 100w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/eric-Schmitt.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Eric Schmitt<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Utopian with a vision that relentlessly searches for its own vocabulary of forms. The Fontainebleau forest that overflows into his workshop inspires free organic pieces. Eric Schmitt&#8217;s objects aspire to this distinction because they are almost indestructible&#8230; relics of a civilisation yet to be invented. <a href=\"https:\/\/exagono.es\/en\/profesionales\/eric-schmitt\/\">More info<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-c5a736\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1440\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01.jpg\" alt=\"\" class=\"wp-image-24522\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01.jpg 1440w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01-240x300.jpg 240w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01-819x1024.jpg 819w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01-768x960.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01-1229x1536.jpg 1229w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01-60x75.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01-480x600.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-01-600x750.jpg 600w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1440\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02.jpg\" alt=\"\" class=\"wp-image-24524\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02.jpg 1440w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02-240x300.jpg 240w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02-819x1024.jpg 819w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02-768x960.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02-1229x1536.jpg 1229w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02-60x75.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02-480x600.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho02-600x750.jpg 600w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><figcaption class=\"wp-element-caption\">Nacho Carbonell. Tin Compact Green Bubble Lamp 1 (169\/2020) 2020. Recycled Beer Bottle Glass, Metal Welded Branch, Concrete Base, Silicone Cable, Light Fittings. 61 x 38 x 31 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-6d924c\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04.jpg\" alt=\"\" class=\"wp-image-24528\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho04-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03.jpg\" alt=\"\" class=\"wp-image-24526\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-03-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Nacho Carbonell. Framing Stone 1 (TC 1\/2022). 2022. Wood, Yuta, Paverpol and Marmol Sand and Stones, Spray Varnish Finsh. 26 x 101 x 83.5 cm.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-333958\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-1024x1024.jpg\" alt=\"\" class=\"wp-image-24471\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02-100x100.jpg 100w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/nacho-carbonell-02.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Nacho Carbonell<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Carbonell is known for his tactile approach to sculpture, playing with textures, experimental techniques and natural materials. &#8220;<em>I like to see objects as living organisms, to imagine that they come to life and can surprise you with their behaviour<\/em>&#8221; he says. <a href=\"https:\/\/exagono.es\/en\/profesionales\/nacho-carbonell\/\">More info<\/a><\/p>\n<\/div>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-c2d223\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01.jpg\" alt=\"\" class=\"wp-image-24531\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-01-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02.jpg\" alt=\"\" class=\"wp-image-24533\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/kagan-02-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Vladimir Kagan. Annecy Sofa with Arm Right Natural. 2016. Wood (Finish Natural), Upholstery. 101.6 x 243.8 x 109.2 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-04ea54\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan.jpg\" alt=\"\" class=\"wp-image-24475\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan.jpg 1080w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/vladimir-kagan-100x100.jpg 100w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Vladimir Kagan<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">A pioneer in mid-century modern design, he was a designer not only of furniture, but of what he called&#8221;vessels to contain the human body&#8221; that could enhance human interactions, leading to innovations such as the first curved sofa. <a href=\"https:\/\/exagono.es\/en\/profesionales\/vladimir-kagan\/\">More info<\/a><\/p>\n<\/div>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-cd4a7f\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02.jpg\" alt=\"\" class=\"wp-image-24538\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-02-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01.jpg\" alt=\"\" class=\"wp-image-24540\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Dubourg-01-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Vincent Dubourg. Bhanga Yellow. 2014. Bronze, Bronze. 90 x 296 x 60 cm.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-cadde2\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-24482\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1-100x100.jpg 100w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Vincent-Dubourg-1.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Vincent Dubourg<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Dubourg poetically fuses the crafts of glassblowing, wood bending and metal casting to bring simple forms to life. His designs offer a fresh perspective on furniture design, often subverting classic functional forms. <a href=\"https:\/\/exagono.es\/en\/profesionales\/vincent-dubourg\/\">More info<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-eedf99\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1.jpg\" alt=\"\" class=\"wp-image-24548\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-02-1-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Wendell Castle. Long Afternoon. 2015. Stained Ash, Oil Finish. 114.5 x 196 x 118 cm<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01.jpg\" alt=\"\" class=\"wp-image-24545\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Wendell-01-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Wendell Castle. Triad Chair Silver. 2006. Polychromed Fibreglass, Silver Leaf. 94 x 91.4 x 86.4 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-a27dd2\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01.jpg\" alt=\"\" class=\"wp-image-24553\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01.jpg 1080w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/wendell-castell-01-100x100.jpg 100w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Wendell Castle\u00a0<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Considered the founding father of the American art furniture movement, Castle has redefined sculpture and design by seamlessly merging the two disciplines into one. He created unique pieces that blurred the distinction between design and sculpture. <a href=\"https:\/\/exagono.es\/en\/profesionales\/wendell-castle\/\">More info<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-6235e5\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02.jpg\" alt=\"\" class=\"wp-image-24561\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-02-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01.jpg\" alt=\"\" class=\"wp-image-24559\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/Park-01-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Wonmin Park. Plain Cuts Stone and Steel #1. Stone, Dyed Steel. 37 x 176 x 103 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-352b81\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-1024x1024.jpg\" alt=\"\" class=\"wp-image-24492\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark-100x100.jpg 100w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/WonminPark.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Wonmin Park<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Park uses resin and metal, materials selected for their ability to create a surreal, dreamlike quality. This combination of materials produces the illusion that his works are simply bound together by light and air. <a href=\"https:\/\/exagono.es\/en\/profesionales\/wonmin-park\/\">More info<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-c664f6\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04.jpg\" alt=\"\" class=\"wp-image-24594\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-04-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1440\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01.jpg\" alt=\"\" class=\"wp-image-24565\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01-300x240.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01-1024x819.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01-768x614.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01-1536x1229.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01-480x384.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/caldas-01-600x480.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Zanine Caldas. Zeca Armchair. 1950. Naval Plywood, Upholstery (Fabric: Pierre Frey Teddy Mohair Orage). 77 x 59 x 85 cm.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-65a887\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn.jpg\" alt=\"\" class=\"wp-image-24449\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn.jpg 900w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn-480x480.jpg 480w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn-600x600.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/01\/zanine_caldas_bn-100x100.jpg 100w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\" wp-block-heading eplus-wrapper\">Zanine Caldas<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Inspired by both local craftsmanship and the natural resources of the area, his large wooden pieces were often made from a single tree trunk. His commitment to Brazilian craftsmanship and natural materials underlies the character of all his work.  <a href=\"https:\/\/exagono.es\/en\/profesionales\/zanine-caldas\/\">More info<\/a>. <br><\/p>\n<\/div>\n<\/div>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Carpenters Workshop Gallery&nbsp;<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Carpenters Workshop Gallery is a contemporary art gallery focused on redefining the boundaries between art, sculpture and design. Operating since 2006 within the functional art and collectible design market, Carpenters Workshop Gallery organises exhibitions beyond traditional art genres.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Based in London, Paris, New York and Los Angeles, the gallery has a strong presence at global art fairs. Carpenters Workshop Gallery has created an ecosystem that values individual experience in the service of a collective artistic adventure.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\">Source: Carpenters Workshop Gallery.<\/p>\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-fe571d\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>London<\/strong><br>79 Barlby Rd W10 6AZ<br>+44 20 3051 5939<br>london@carpentersworkshopgallery.com<br><a href=\"https:\/\/carpentersworkshopgallery.com\" target=\"_blank\" rel=\"noreferrer noopener\">carpentersworkshopgallery.com<\/a><\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Paris<\/strong><br>54 Rue De La Verrerie 75004<br>+331 42 78 80 92<br>paris@carpentersworkshopgallery.com<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>New York<br><\/strong>693 Fifth Avenue NY 10022<br>Monday to Saturday 10am &#8211; 6pm<br>+1 212 829 0610<br>newyork@carpentersworkshopgallery.com<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Los \u00c1ngeles<br><\/strong>7070 Santa Monica Boulevard<br>+1 323 380 5227<br>losangeles@carpentersworkshopgallery.com<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>With over 90 works, this exhibition (16 January \u2013 15 March) invites viewers to consider art and design as a journey of discovery, with contemporary craftsmanship as their cultural guide.<\/p>\n","protected":false},"author":1,"featured_media":24500,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":""},"categories":[742,635],"tags":[1423,1424],"ppma_author":[249],"class_list":["post-24667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-design","tag-carpenters-workshop-gallery-en","tag-mobiliario-artistico-en"],"authors":[{"term_id":249,"user_id":1,"is_guest":0,"slug":"amoratinos","display_name":"Ex\u00e1gono","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/95418ef5af1f1a520d5386cfe82ba253c88665f94a4343ec69a36d8df034ab4b?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/24667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=24667"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/24667\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/24500"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=24667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=24667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=24667"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=24667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}