{"id":27140,"date":"2025-03-06T18:07:14","date_gmt":"2025-03-06T18:07:14","guid":{"rendered":"https:\/\/exagono.es\/stefan-scholten-crea-la-coleccion-nuance-para-nanimarquina-desarrollando-un-meticuloso-juego-de-matices-cromaticos\/"},"modified":"2025-05-09T09:38:43","modified_gmt":"2025-05-09T09:38:43","slug":"stefan-scholten-creates-the-nuance-collection-for-nanimarquina-a-meticulous-study-of-chromatic-subtlety","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/stefan-scholten-creates-the-nuance-collection-for-nanimarquina-a-meticulous-study-of-chromatic-subtlety\/","title":{"rendered":"Stefan Scholten creates the Nuance collection for Nanimarquina, a meticulous study of chromatic subtlety"},"content":{"rendered":"

The Nuance rug collection, created by the renowned designer Stefan Scholten<\/a> for Nanimarquina<\/a>, transforms the aesthetics of the kilim into a contemporary expression, through a meticulous chromatic exercise that plays with nuances, uniformity and similarity.<\/p>\n\n

This collection presents a visual proposal in which a pattern of parallel and crossed lines appears and disappears within the same colour scale. The result is a carpet of a single tone, but with a depth and texture that evokes a contemporary tartan. Through the subtle interplay between colours and fibre structure, the collection achieves a dynamic graphic effect that changes according to light and perspective.<\/p>\n\n

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The technique used is the kilim, made from Afghan wool, the result of careful experimentation with chromatic perception, offering a timeless elegance that adapts to any space. With this collection, Studio Stefan Scholten reaffirms its ability to fuse art and design in a proposal that redefines the concept of the contemporary rug.<\/p>\n\n\n\n

Nuance is available in different sizes and three colours: lime, denim and coral.<\/p>\n\n\n

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Nuance Runner L Lime carpet. 3 colours.<\/figcaption><\/figure><\/div>\n\n\n\n
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Nuance Runner L coral carpet. 3 colours.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Nuance Runner L denim carpet. 3 colours.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n
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Nuance Lime carpet. 3 colours.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Coral Nuance carpet. 3 colours.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Nuance denim carpet. 3 colours.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n

Project<\/strong>: Nuance.
Design<\/strong>: Studio Stefan Scholten<\/a>.
Brand<\/strong>: Nanimarquina<\/a>.
Technique<\/strong>: Kilim
Density<\/strong>: 27.900 hilos\/m2
Fibre<\/strong>: 100% Lana Afgana
Total height<\/strong>: 4 mm
Photography<\/strong>: Carlota Prats<\/a>. Nina Anton.
Text<\/strong>: Nanimarquina.<\/p>\n\n\n

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Stefan Scholten. \u00a9 Hilde Harshagen<\/a>.<\/figcaption><\/figure>\n\n\n\n

Stefan Scholten<\/h2>\n\n\n\n

Stefan Scholten has become one of the key voices of world-renowned Dutch design after graduating from the Design Academy Eindhoven in 1995. Based in Amsterdam, he designs for a variety of highly respected brands including HAY, Maharam, Moroso, Cappellini, Cappellini, Nanimarquina and 1616 \/ arita Japan.<\/p>\n\n\n\n

Scholten is known for his reductionist design style, combined with a unique use of colour. His designs are functional and applicable, but always expressive.<\/p>\n\n\n\n

Scholten’s approach is also known as the workshop method. During the design process, he thinks with his hands as much as possible. Keep sketching, drawing and mixing colours until a new and original design emerges.<\/p>\n\n\n

Source: Nanimarquina y Studio Stefan Scholten.<\/p>\n\n

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Studio Stefan Scholten
<\/strong>(Oficina temporal)
Kromme Mijdrechtstraat 110-3
1079 LD Amsterdam
+31 (0)20 4208940
studio@stefanscholten.com
@studiostefanscholten<\/a>
www.stefanscholten.com<\/a><\/p>\n<\/div>\n\n\n\n

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Nanimarquina<\/strong>
Esgl\u00e9sia, 10 3\u00ba D
08024 Barcelona, Espa\u00f1a
+34 932 376 465
nanimarquina.com<\/a>
<\/p>\n\n\n\n


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This collection presents a visual proposal in which a grid of parallel and intersecting lines appears and disappears within a single colour scale.<\/p>\n","protected":false},"author":1,"featured_media":27002,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":"","_ppma_block_editor_authors":""},"categories":[635],"tags":[],"ppma_author":[249],"class_list":["post-27140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design"],"authors":[{"term_id":249,"user_id":1,"is_guest":0,"slug":"amoratinos","display_name":"Ex\u00e1gono","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/95418ef5af1f1a520d5386cfe82ba253c88665f94a4343ec69a36d8df034ab4b?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/27140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=27140"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/27140\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/27002"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=27140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=27140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=27140"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=27140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}