{"id":30619,"date":"2025-04-17T08:00:21","date_gmt":"2025-04-17T08:00:21","guid":{"rendered":"https:\/\/exagono.es\/linde-freya-tangelder-y-la-poetica-del-vidrio\/"},"modified":"2025-05-09T09:05:44","modified_gmt":"2025-05-09T09:05:44","slug":"linde-freya-tangelder-and-the-poetics-of-glass","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/linde-freya-tangelder-and-the-poetics-of-glass\/","title":{"rendered":"Linde Freya Tangelder and the poetics of glass"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-bcc61e wp-block-paragraph\">Since their first collaboration in 2022, the partnership between<a href=\"https:\/\/www.cassina.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"> Cassin<\/a>a and <a href=\"https:\/\/destroyersbuilders.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Linde Freya Tangelder<\/a> has yielded creations that blend artistic sensibility and artisanal excellence. Within the framework of the Patronage project\u2014an initiative aimed at supporting emerging international talent\u2014the Dutch designer has developed pieces defined by her unmistakable sculptural language. Her latest creation, the\u00a0<em>Fluid Joinery \u2013 Side Table I<\/em>, is an ode to glass in its purest state.<\/p>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">With this low table, Tangelder delves into the intrinsic nature of glass\u2014from fluidity to solidity\u2014leveraging its expressive potential to craft a monolithic object of striking presence. Each table is made of blown glass and hand-shaped using a cast-iron mould in the Veneto region of Italy. The result is an object with an organic, irregular silhouette, where variations in thickness generate subtle plays of light, reflection and colour.<\/p>\n\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1024x683.jpg\" alt=\"\" class=\"wp-image-30585\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1536x1025.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-600x400.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/6_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1024x683.jpg\" alt=\"\" class=\"wp-image-30589\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1536x1025.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-600x400.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/5_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1024x683.jpg\" alt=\"\" class=\"wp-image-30587\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-1536x1025.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli-600x400.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/4_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Luca-Merli.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photos: Luca Merli<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The technical challenge has been considerable. Cassina has developed highly complex production processes to ensure the structural stability of the piece\u2014especially at the base that supports the upper volume\u2014and to achieve the delicate engravings that enrich its surface.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\">The designer is especially drawn to the ambiguity of glass: a material that, when heated, acquires an almost architectural fluidity, allowing it to be shaped like a sculpture. This fascination is evident in every detail of the table, where form and matter engage in a delicate dialogue.<\/p>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis.jpg\" alt=\"\" class=\"wp-image-30608\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/8_CASSINA_Fluid-Joinery-\u2013-Side-Table-I_Linde-Freya-Tangelder_ph_Simone-Barberis-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Foto Simone Barberis<\/figcaption><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\"><em>Fluid Joinery \u2013 Side Table I<\/em>\u00a0is available in a single format\u2014conceived to be displayed individually or in group compositions\u2014and in three refined colours: smoked, amber and blue. Each hue is achieved through the layering of transparent and pigmented glass. As a result of the entirely artisanal process, each table is slightly different, making every piece one of a kind.<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"786\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/LindeFreyaTangelder_AlexanderPopelier-786x1024.jpg\" alt=\"\" class=\"wp-image-30538\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/LindeFreyaTangelder_AlexanderPopelier-786x1024.jpg 786w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/LindeFreyaTangelder_AlexanderPopelier-230x300.jpg 230w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/LindeFreyaTangelder_AlexanderPopelier-768x1000.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/LindeFreyaTangelder_AlexanderPopelier-1179x1536.jpg 1179w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/LindeFreyaTangelder_AlexanderPopelier-60x78.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/LindeFreyaTangelder_AlexanderPopelier-600x781.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/LindeFreyaTangelder_AlexanderPopelier.jpg 1333w\" sizes=\"(max-width: 786px) 100vw, 786px\" \/><figcaption class=\"wp-element-caption\">Linde Freya Tangelder. foto Alexander Popelier<\/figcaption><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Linde Freya Tangelder<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Linde Freya Tangelder (Netherlands, 1987) is a Dutch designer who explores the boundaries between art, design and architecture. Founder of the studio Destroyers\/Builders, her work is characterised by a strong sculptural sensibility, a deep respect for materials and an approach that combines brutalism with intimacy.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Trained in both the Netherlands and Belgium, her practice revolves around the idea of building by deconstructing\u2014playing with contrasts in texture, proportion and finish. Her pieces\u2014ranging from furniture to installations\u2014reveal a balance between rawness and refinement, often drawing inspiration from architectural fragments, utilitarian objects or industrial elements reimagined through a poetic lens.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Tangelder has collaborated with leading galleries such as <a href=\"https:\/\/www.maniera.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">Maniera<\/a> (Brussels), and has exhibited her work at events including Milan Design Week and institutions such as CID Grand-Hornu. Her artisanal approach and distinctive formal language have positioned her as one of the most compelling voices in contemporary European design.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\">Source: Cassina y Linde Freya Tangelder<\/p>\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-bfebdd\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Linde Freya Tangelder<br><\/strong>info@destroyersbuilders.com<br>+32 494 90 89 46<br><a href=\"https:\/\/destroyersbuilders.com\/\">destroyersbuilders.com<\/a><br><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><span style=\"box-sizing: border-box; --brlbs-tw-border-spacing-x: 0; --brlbs-tw-border-spacing-y: 0; --brlbs-tw-translate-x: 0; --brlbs-tw-translate-y: 0; --brlbs-tw-rotate: 0; --brlbs-tw-skew-x: 0; --brlbs-tw-skew-y: 0; --brlbs-tw-scale-x: 1; --brlbs-tw-scale-y: 1; --brlbs-tw-pan-x: ; --brlbs-tw-pan-y: ; --brlbs-tw-pinch-zoom: ; --brlbs-tw-scroll-snap-strictness: proximity; --brlbs-tw-gradient-from-position: ; --brlbs-tw-gradient-via-position: ; --brlbs-tw-gradient-to-position: ; --brlbs-tw-ordinal: ; --brlbs-tw-slashed-zero: ; --brlbs-tw-numeric-figure: ; --brlbs-tw-numeric-spacing: ; --brlbs-tw-numeric-fraction: ; --brlbs-tw-ring-inset: ; --brlbs-tw-ring-offset-width: 0px; --brlbs-tw-ring-offset-color: #fff; --brlbs-tw-ring-color: rgba(59,130,246,.5); --brlbs-tw-ring-offset-shadow: 0 0 #0000; --brlbs-tw-ring-shadow: 0 0 #0000; --brlbs-tw-shadow: 0 0 #0000; --brlbs-tw-shadow-colored: 0 0 #0000; --brlbs-tw-blur: ; --brlbs-tw-brightness: ; --brlbs-tw-contrast: ; --brlbs-tw-grayscale: ; --brlbs-tw-hue-rotate: ; --brlbs-tw-invert: ; --brlbs-tw-saturate: ; --brlbs-tw-sepia: ; --brlbs-tw-drop-shadow: ; --brlbs-tw-backdrop-blur: ; --brlbs-tw-backdrop-brightness: ; --brlbs-tw-backdrop-contrast: ; --brlbs-tw-backdrop-grayscale: ; --brlbs-tw-backdrop-hue-rotate: ; --brlbs-tw-backdrop-invert: ; --brlbs-tw-backdrop-opacity: ; --brlbs-tw-backdrop-saturate: ; --brlbs-tw-backdrop-sepia: ; --brlbs-tw-contain-size: ; --brlbs-tw-contain-layout: ; --brlbs-tw-contain-paint: ; --brlbs-tw-contain-style: ; font-family: News-Gothic; font-size: 20.799999px; white-space: normal;\"><strong>Cassina<\/strong><\/span><br><span style=\"font-family: News-Gothic; font-size: 20.799999px; white-space: normal;\">Padilla, 21<\/span><br><span style=\"font-family: News-Gothic; font-size: 20.799999px; white-space: normal;\">28001 Madrid<\/span><br><span style=\"font-family: News-Gothic; font-size: 20.799999px; white-space: normal;\">+34 910 49 53 55<\/span><br><a style=\"box-sizing: border-box; --brlbs-tw-border-spacing-x: 0; --brlbs-tw-border-spacing-y: 0; --brlbs-tw-translate-x: 0; --brlbs-tw-translate-y: 0; --brlbs-tw-rotate: 0; --brlbs-tw-skew-x: 0; --brlbs-tw-skew-y: 0; --brlbs-tw-scale-x: 1; --brlbs-tw-scale-y: 1; --brlbs-tw-pan-x: ; --brlbs-tw-pan-y: ; --brlbs-tw-pinch-zoom: ; --brlbs-tw-scroll-snap-strictness: proximity; --brlbs-tw-gradient-from-position: ; --brlbs-tw-gradient-via-position: ; --brlbs-tw-gradient-to-position: ; --brlbs-tw-ordinal: ; --brlbs-tw-slashed-zero: ; --brlbs-tw-numeric-figure: ; --brlbs-tw-numeric-spacing: ; --brlbs-tw-numeric-fraction: ; --brlbs-tw-ring-inset: ; --brlbs-tw-ring-offset-width: 0px; --brlbs-tw-ring-offset-color: #fff; --brlbs-tw-ring-color: rgba(59,130,246,.5); --brlbs-tw-ring-offset-shadow: 0 0 #0000; --brlbs-tw-ring-shadow: 0 0 #0000; --brlbs-tw-shadow: 0 0 #0000; --brlbs-tw-shadow-colored: 0 0 #0000; --brlbs-tw-blur: ; --brlbs-tw-brightness: ; --brlbs-tw-contrast: ; --brlbs-tw-grayscale: ; --brlbs-tw-hue-rotate: ; --brlbs-tw-invert: ; --brlbs-tw-saturate: ; --brlbs-tw-sepia: ; --brlbs-tw-drop-shadow: ; --brlbs-tw-backdrop-blur: ; --brlbs-tw-backdrop-brightness: ; --brlbs-tw-backdrop-contrast: ; --brlbs-tw-backdrop-grayscale: ; --brlbs-tw-backdrop-hue-rotate: ; --brlbs-tw-backdrop-invert: ; --brlbs-tw-backdrop-opacity: ; --brlbs-tw-backdrop-saturate: ; --brlbs-tw-backdrop-sepia: ; --brlbs-tw-contain-size: ; --brlbs-tw-contain-layout: ; --brlbs-tw-contain-paint: ; --brlbs-tw-contain-style: ; color: rgb(0, 0, 0); display: inline-block; transition-duration: 0.15s; transition-property: all; font-family: News-Gothic; font-size: 20.799999px; white-space: normal;\" href=\"https:\/\/www.cassina.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.cassina.com<\/a><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>With this low table, Tangelder explores the essence of glass from its fluid state to its solid form, embracing its versatility to create a monolithic piece of strong visual impact.<\/p>\n","protected":false},"author":1,"featured_media":30579,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":""},"categories":[635],"tags":[1647,1227,1648,764],"ppma_author":[249],"class_list":["post-30619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design","tag-cassina-en","tag-furniture-design-en","tag-linde-freya-tangelder-en","tag-vidrio-soplado-en"],"authors":[{"term_id":249,"user_id":1,"is_guest":0,"slug":"amoratinos","display_name":"Ex\u00e1gono","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/95418ef5af1f1a520d5386cfe82ba253c88665f94a4343ec69a36d8df034ab4b?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/30619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=30619"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/30619\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/30579"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=30619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=30619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=30619"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=30619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}