{"id":31648,"date":"2025-04-28T06:45:19","date_gmt":"2025-04-28T06:45:19","guid":{"rendered":"https:\/\/exagono.es\/carl-hansen-son-reedita-la-mesa-bm0121-de-borge-mogensen\/"},"modified":"2025-05-09T08:45:49","modified_gmt":"2025-05-09T08:45:49","slug":"carl-hansen-son-reissues-the-bm0121-table-by-borge-mogensen","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/carl-hansen-son-reissues-the-bm0121-table-by-borge-mogensen\/","title":{"rendered":"Carl Hansen &amp; S\u00f8n reissues the BM0121 table by B\u00f8rge Mogensen"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-14f563 wp-block-paragraph\">Although the BM0121 model could easily pass for a contemporary creation, this dining table was first introduced in 1952 at the Spring Exhibition of Arts and Crafts in Copenhagen. It was part of a series of democratic furniture pieces conceived for small homes. Without original blueprints to guide its reproduction,<a href=\"https:\/\/www.carlhansen.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u00a0Carl Hansen &amp; S\u00f8n<\/a>\u00a0meticulously reconstructed the table from an antique model, measured carefully by hand.<\/p>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-9c7256\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1273\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-11.jpg\" alt=\"\" class=\"wp-image-31629\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-11.jpg 1273w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-11-212x300.jpg 212w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-11-724x1024.jpg 724w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-11-768x1086.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-11-1086x1536.jpg 1086w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-11-60x85.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-11-600x848.jpg 600w\" sizes=\"(max-width: 1273px) 100vw, 1273px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img decoding=\"async\" width=\"1273\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-08.jpg\" alt=\"\" class=\"wp-image-31637\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-08.jpg 1273w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-08-212x300.jpg 212w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-08-724x1024.jpg 724w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-08-768x1086.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-08-1086x1536.jpg 1086w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-08-60x85.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-08-600x848.jpg 600w\" sizes=\"(max-width: 1273px) 100vw, 1273px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-399b87\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img decoding=\"async\" width=\"1273\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-06.jpg\" alt=\"\" class=\"wp-image-31635\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-06.jpg 1273w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-06-212x300.jpg 212w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-06-724x1024.jpg 724w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-06-768x1086.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-06-1086x1536.jpg 1086w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-06-60x85.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-06-600x848.jpg 600w\" sizes=\"(max-width: 1273px) 100vw, 1273px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1273\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-04.jpg\" alt=\"\" class=\"wp-image-31633\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-04.jpg 1273w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-04-212x300.jpg 212w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-04-724x1024.jpg 724w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-04-768x1086.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-04-1086x1536.jpg 1086w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-04-60x85.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/BM0121-04-600x848.jpg 600w\" sizes=\"(max-width: 1273px) 100vw, 1273px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Mogensen, one of the great figures of Danish design, stood out for his ability to merge everyday functionality with refined beauty. The BM0121 table is no exception. At first glance, its silhouette appears simple, but a closer look reveals complex details that demand high-level craftsmanship.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The tabletop, for example, is only 19 mm thick, giving it a lightweight and elegant appearance. To ensure its stability, curved steel profiles have been incorporated underneath. The table\u2019s apron, with its delicate upward curve, not only offers an attractive profile but also expands legroom. The subtly tapered legs further emphasize its light, graceful expression.<\/p>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Functional ingenuity<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Visionary for his time, B\u00f8rge Mogensen left behind a legacy that laid the foundations of Scandinavian minimalism. His visual language\u2014sober and timeless\u2014finds in the BM0121 table a perfect synthesis of form and function.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">This extendable design, available with an additional leaf in oak or MDF, comfortably seats six people without sacrificing its visual lightness. Crafted from FSC-certified solid oak, the tabletop is supported by a hidden steel structure that enhances its firmness. Every detail\u2014from the tapered legs to the curved apron\u2014responds to a logic that is both aesthetic and ergonomic.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-a39ff0 wp-block-paragraph\">The BM0121 offers a versatile and refined solution for compact spaces, bringing together warmth, balance, and functionality.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\"><strong>Product<\/strong>: Mesa de comedor BM0121.<br><strong>Design<\/strong>: B\u00f8rge Mogensen.<br><strong>Brand<\/strong>: <a href=\"https:\/\/www.carlhansen.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Carl Hansen &amp; S\u00f8n<\/a><br><strong>Original design year<\/strong>: 1952.<br><strong>Reedition year<\/strong>: 2025.<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"954\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/Borge-Mogensen-954x1024.jpg\" alt=\"\" class=\"wp-image-31147\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/Borge-Mogensen-954x1024.jpg 954w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/Borge-Mogensen-280x300.jpg 280w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/Borge-Mogensen-768x824.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/Borge-Mogensen-1431x1536.jpg 1431w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/Borge-Mogensen-60x64.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/Borge-Mogensen-600x644.jpg 600w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/04\/Borge-Mogensen.jpg 1491w\" sizes=\"(max-width: 954px) 100vw, 954px\" \/><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">B\u00f8rge Mogensen: El funcionalismo c\u00e1lido del dise\u00f1o dan\u00e9s<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Nacido en Aalborg en 1914, B\u00f8rge Mogensen es una de las figuras m\u00e1s influyentes del dise\u00f1o escandinavo del siglo XX. Su enfoque, centrado en la funcionalidad y la simplicidad, ha dejado huella en el mobiliario moderno.&nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Formado inicialmente como ebanista, Mogensen continu\u00f3 sus estudios en la Escuela Danesa de Artes y Oficios y posteriormente en la Real Academia Danesa de Bellas Artes, donde fue disc\u00edpulo de Kaare Klint. Esta formaci\u00f3n dual le permiti\u00f3 combinar la artesan\u00eda tradicional con principios de dise\u00f1o racionalista, dando lugar a piezas que equilibran est\u00e9tica y utilidad.&nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Entre 1942 y 1950, dirigi\u00f3 el estudio de dise\u00f1o de FDB M\u00f8bler, una cooperativa que buscaba democratizar el acceso al buen dise\u00f1o. All\u00ed, Mogensen desarroll\u00f3 muebles asequibles y funcionales, pensados para la vida cotidiana de las familias danesas. En 1950, estableci\u00f3 su propio estudio, desde donde continu\u00f3 explorando soluciones de mobiliario que respondieran a las necesidades reales de las personas. &nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Su estilo se caracteriza por l\u00edneas limpias y estructuras robustas, con una clara influencia de la tradici\u00f3n artesanal escandinava. Entre sus dise\u00f1os m\u00e1s emblem\u00e1ticos se encuentran la <em>Silla Espa\u00f1ola<\/em> (1958), que combina cuero y madera en una forma s\u00f3lida y elegante, y el <em>Sof\u00e1 Spokeback<\/em> (1945), notable por su ligereza visual y funcionalidad.&nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Mogensen cre\u00eda firmemente que los muebles deb\u00edan mejorar con el uso, adquiriendo car\u00e1cter y belleza con el paso del tiempo. Esta filosof\u00eda se refleja en su elecci\u00f3n de materiales naturales y en su atenci\u00f3n al detalle constructivo.&nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Falleci\u00f3 en 1972, dejando un legado que contin\u00faa inspirando a dise\u00f1adores y usuarios. Sus creaciones, atemporales y profundamente humanas, siguen siendo producidas y apreciadas en todo el mundo, testimonio de una visi\u00f3n que supo unir forma, funci\u00f3n y calidez.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Fuente: Carl Hansen &amp; S\u00f8n.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A visionary of his time, B\u00f8rge Mogensen left a legacy that shaped Scandinavian minimalism. The BM0121 perfectly synthesises his timeless, understated visual language\u2014where form meets function.<\/p>\n","protected":false},"author":1,"featured_media":31625,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":"","_ppma_block_editor_authors":""},"categories":[635,1],"tags":[],"ppma_author":[249],"class_list":["post-31648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design","category-sin-categorizar"],"authors":[{"term_id":249,"user_id":1,"is_guest":0,"slug":"amoratinos","display_name":"Ex\u00e1gono","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/95418ef5af1f1a520d5386cfe82ba253c88665f94a4343ec69a36d8df034ab4b?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/31648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=31648"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/31648\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/31625"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=31648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=31648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=31648"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=31648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}