{"id":33174,"date":"2025-05-12T11:54:20","date_gmt":"2025-05-12T11:54:20","guid":{"rendered":"https:\/\/exagono.es\/parapimi-la-casa-que-quiso-trepar-entre-los-arboles\/"},"modified":"2025-05-13T15:06:01","modified_gmt":"2025-05-13T15:06:01","slug":"parapimi-the-house-that-longed-to-climb-into-the-trees","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/parapimi-the-house-that-longed-to-climb-into-the-trees\/","title":{"rendered":"Parapimi: the house that longed to climb into the trees"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-2a5be4 wp-block-paragraph\">Set on a rugged slope of yellow sandstone and surrounded by native vegetation, the Parapimi house rests with radical delicacy. The project, a collaboration between architects<a href=\"https:\/\/www.mollinedoarquitectura.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"> Alfonso Mollined<\/a>o and <a href=\"https:\/\/lisabesur.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Isabel Rus<\/a>, is located in the Pinar de Oromana area of Alcal\u00e1 de Guadaira (Seville). Suspended amid the trees \u2014 three\u00a0<em>Pinus pinea<\/em>, one\u00a0<em>Schinus molle<\/em>\u00a0(false pepper), one\u00a0<em>Melia azedarach<\/em>\u00a0(chinaberry), and a\u00a0<em>Jacaranda mimosifolia<\/em>\u00a0\u2014 the architecture grows from this arboreal gesture, developing an organic, cellular construction system that breathes with the rhythm of the landscape.<\/p>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir.jpg\" alt=\"\" class=\"wp-image-32982\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-4_ir-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img decoding=\"async\" width=\"1800\" height=\"1079\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/00_Parapimi_editada-6_ir.jpg\" alt=\"\" class=\"wp-image-32984\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/00_Parapimi_editada-6_ir.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/00_Parapimi_editada-6_ir-300x180.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/00_Parapimi_editada-6_ir-1024x614.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/00_Parapimi_editada-6_ir-768x460.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/00_Parapimi_editada-6_ir-1536x921.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/00_Parapimi_editada-6_ir-60x36.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/00_Parapimi_editada-6_ir-600x360.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img decoding=\"async\" width=\"1800\" height=\"1350\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/CasaAlcala-12._5jpg.jpg\" alt=\"\" class=\"wp-image-32997\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/CasaAlcala-12._5jpg.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/CasaAlcala-12._5jpg-300x225.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/CasaAlcala-12._5jpg-1024x768.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/CasaAlcala-12._5jpg-768x576.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/CasaAlcala-12._5jpg-1536x1152.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/CasaAlcala-12._5jpg-60x45.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/CasaAlcala-12._5jpg-600x450.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9.jpg\" alt=\"\" class=\"wp-image-32987\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/02_Parapimi-_editada9-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91.jpg\" alt=\"\" class=\"wp-image-33000\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-91-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79.jpg\" alt=\"\" class=\"wp-image-33002\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/05_Parapimi-79-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27.jpg\" alt=\"\" class=\"wp-image-33005\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/14_Parapimi-27-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-bc611a\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/03_Parapimi_editada-86.jpg\" alt=\"\" class=\"wp-image-32989\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/03_Parapimi_editada-86.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/03_Parapimi_editada-86-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/03_Parapimi_editada-86-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/03_Parapimi_editada-86-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/03_Parapimi_editada-86-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/03_Parapimi_editada-86-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/03_Parapimi_editada-86-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/07_Parapimi-96.jpg\" alt=\"\" class=\"wp-image-32991\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/07_Parapimi-96.jpg 1200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/07_Parapimi-96-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/07_Parapimi-96-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/07_Parapimi-96-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/07_Parapimi-96-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/07_Parapimi-96-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/07_Parapimi-96-600x900.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1258\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-_editada7.jpg\" alt=\"\" class=\"wp-image-32994\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-_editada7.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-_editada7-300x210.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-_editada7-1024x716.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-_editada7-768x537.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-_editada7-1536x1073.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-_editada7-60x42.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/Parapimi-_editada7-600x419.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23.jpg\" alt=\"\" class=\"wp-image-33021\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23-1536x1024.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/12_Parapimi-23-600x400.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-4a6cfa wp-block-paragraph\">The design is deeply rooted in the site, deliberately avoiding visual appropriation and aiming for genuine bioclimatic sustainability. The house is structured in three levels: the base, the tree canopy, and the eagle\u2019s nest. Each level, increasingly lighter and more introspective, invites reflection on the body\u2019s place within the natural world.<\/p>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Access begins at a lower platform connected to the garden. From there, an elevated walkway \u2014 the home\u2019s only point of contact with the terrain \u2014 leads to the second level, where everyday life unfolds in connection with the treetops. The house floats above the ground, reinforcing a respectful relationship with its surroundings. A movable staircase leads to the third level: a minimalist volume designed for contemplation, work, and reflection, which also provides access to the roof garden, equipped with planting beds and solar panels.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The choice of materials reinforces this ethos: sandstone walls built from the site\u2019s own excavated rock, eco-engineered wood cladding, and slatted fa\u00e7ades made from rice husks bonded with natural resins. Courtyards generate cross-ventilation, and the house includes a natural pool along with water harvesting and reuse systems. The result is an architecture that is porous, light, almost vegetal.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-4a6cfa wp-block-paragraph\">Parapimi is not just a house in the trees. It is an architecture that speaks to its place through sensitivity and technique, offering a new way of living: more mindful, lighter, and more respectful.<\/p>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-01278e\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"406\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-2.png\" alt=\"\" class=\"wp-image-33010\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-2.png 900w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-2-300x135.png 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-2-768x346.png 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-2-60x27.png 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-2-600x271.png 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"406\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-1.png\" alt=\"\" class=\"wp-image-33008\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-1.png 900w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-1-300x135.png 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-1-768x346.png 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-1-60x27.png 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/alzado-norooeste-1-600x271.png 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-318419\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"406\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.1-1.png\" alt=\"\" class=\"wp-image-33014\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.1-1.png 900w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.1-1-300x135.png 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.1-1-768x346.png 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.1-1-60x27.png 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.1-1-600x271.png 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"406\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta-1.png\" alt=\"\" class=\"wp-image-33012\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta-1.png 900w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta-1-300x135.png 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta-1-768x346.png 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta-1-60x27.png 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta-1-600x271.png 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-03b9c2\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"406\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.3-1.png\" alt=\"\" class=\"wp-image-33018\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.3-1.png 900w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.3-1-300x135.png 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.3-1-768x346.png 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.3-1-60x27.png 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.3-1-600x271.png 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"406\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.2-1.png\" alt=\"\" class=\"wp-image-33016\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.2-1.png 900w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.2-1-300x135.png 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.2-1-768x346.png 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.2-1-60x27.png 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/planta.2-1-600x271.png 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\"><strong>Project<\/strong>: Parapimi.<br><strong>Architecture<\/strong>: <a href=\"https:\/\/www.mollinedoarquitectura.com\" target=\"_blank\" rel=\"noreferrer noopener\">Alfonso Mollinedo S\u00e1enz<\/a> e <a href=\"https:\/\/lisabesur.com\" target=\"_blank\" rel=\"noreferrer noopener\">Isabel Rus Pezzi<\/a>.<br><strong>Collaborators<\/strong>: Pedro Lozano, Roberto G\u00e1lvez.<br><strong>Technical architects<\/strong>: Enrique Lacave, Alejandro Castro.<br><strong>Builder<\/strong>: Zambrac\u00f3n.<br><strong>Plot area<\/strong>: 869 m\u00b2.<br><strong>Built area<\/strong>: 254 m\u00b2.<br><strong>Completion<\/strong>: 2024.<br><strong>Photography<\/strong>: <a href=\"https:\/\/rafaelarodriguez.com\" target=\"_blank\" rel=\"noreferrer noopener\">Rafaela Rodriguez<\/a>.<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1030\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/12\/alfonso-mollinedo-color.jpg\" alt=\"\" class=\"wp-image-21158\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/12\/alfonso-mollinedo-color.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/12\/alfonso-mollinedo-color-300x172.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/12\/alfonso-mollinedo-color-1024x586.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/12\/alfonso-mollinedo-color-768x439.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/12\/alfonso-mollinedo-color-1536x879.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/12\/alfonso-mollinedo-color-60x34.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2024\/12\/alfonso-mollinedo-color-600x343.jpg 600w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Alfonso Mollinedo<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Trained as an architect at the Higher Technical School of Architecture in Seville, Alfonso Mollinedo S\u00e1enz has spent more than 25 years shaping a practice rooted in sustainability, landscape, and the emotional dimension of architecture. His career combines a strong technical foundation \u2014 with master\u2019s studies in Sustainability and Energy Efficiency, training in Textile Architecture and Project Management \u2014 with a refined sensibility developed through decades of interdisciplinary and collaborative work.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Throughout his trajectory, he has contributed to collectives that explore new ways of shaping the city and landscape, such as CLM arquitectos, Comuna Creativa, NON arquitectura, and ANDA arquitectura. In 2019, he founded his own studio,&nbsp;<em>Mollinedo Arquitectura<\/em>, a platform for projects that engage with their surroundings through constructive honesty and bioclimatic thinking.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">At the heart of his work lies the belief that architecture is not merely a technical or formal exercise but a means to connect people, memory, and place. His projects \u2014 notably the&nbsp;<em>Edificio C\u00e9lula<\/em>, a student residence awarded the International Iconic Award in 2019 and the Andr\u00e9s de Vandelvira Prize in 2020 \u2014 blend technological innovation with a profound respect for materials and local processes.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Mollinedo approaches each intervention as an opportunity to imagine possible futures by engaging with the past. For him, sustainability is not an added layer, but an active tool embedded from the very genesis of the project. This vision results in a living, permeable architecture that adapts to its context rather than imposing upon it.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\">With the support of advanced methodologies such as BIM modeling, his studio proposes integrated solutions that account for energy flows and social dynamics alike, always striving for the lightest footprint and the greatest poetic resonance. As he puts it: \u201c<em>Architecture must flow with its surroundings, transcending mere functionality to become a catalyst for connection and emotion<\/em>.\u201d<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1464\" height=\"838\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/isabel-rus.jpg\" alt=\"\" class=\"wp-image-32967\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/isabel-rus.jpg 1464w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/isabel-rus-300x172.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/isabel-rus-1024x586.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/isabel-rus-768x440.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/isabel-rus-60x34.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/05\/isabel-rus-600x343.jpg 600w\" sizes=\"(max-width: 1464px) 100vw, 1464px\" \/><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Isabel Rus Pezzi<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Isabel Rus Pezzi graduated as an architect from the ETSAS in 1991 and holds a diploma in Business Management. Founder of the studio&nbsp;<em>Lisabesur Arquitectos<\/em>, she has devoted over three decades to developing projects that integrate architecture, urbanism, and landscape with an eco-sensitive outlook.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">A specialist in both renovation and new construction, her work is defined by its attention to context, the use of native vegetation, and the application of bioclimatic design principles. Her studio supports both private clients and fellow professionals, aiming for each intervention to generate a new landscape in balance with its surroundings.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-2e1be5 wp-block-paragraph\">Source: Alfonso Mollinedo, Isabel Rus.<\/p>\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-7a394d\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Alfonso Mollinedo <br><\/strong>Pr\u00edncipe Alfonso, 8<br>23002 Ja\u00e9n<br>estudio@mollinedoarquitectura.com<br><a href=\"https:\/\/www.mollinedoarquitectura.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.mollinedoarquitectura.com<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Isabel Rus<br><\/strong>Avda de Finlandia, 1<br>41012 Sevilla<br>+34 637 504 090<br>+34 955 641 886<br>isabel@lisabesur.com<br><a href=\"https:\/\/lisabesur.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">lisabesur.com<\/a><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Parapimi is not just a tree house. It is a piece of architecture that engages in dialogue with its site, shaped by both sensitivity and technique. It offers a different way of inhabiting: more mindful, lighter, and more respectful.<\/p>\n","protected":false},"author":1,"featured_media":32978,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":""},"categories":[624,1],"tags":[],"ppma_author":[296],"class_list":["post-33174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","category-sin-categorizar"],"authors":[{"term_id":296,"user_id":0,"is_guest":1,"slug":"andres-moratinos","display_name":"Andr\u00e9s Moratinos","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/33174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=33174"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/33174\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/32978"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=33174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=33174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=33174"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=33174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}