{"id":38834,"date":"2025-06-30T16:55:44","date_gmt":"2025-06-30T16:55:44","guid":{"rendered":"https:\/\/exagono.es\/?p=38834"},"modified":"2025-07-03T10:48:54","modified_gmt":"2025-07-03T10:48:54","slug":"olivia-cognet-sculptor-of-light-and-form","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/olivia-cognet-sculptor-of-light-and-form\/","title":{"rendered":"Olivia Cognet, sculptor of light and form"},"content":{"rendered":"

In the heart of Vallauris, where clay has long been a muse for generations, a contemporary artist listens to the traces of the past. Olivia Cognet<\/a>, sculptor of light and form, returned to this place after several years in Los Angeles, finding here a home, a studio, and a legacy. It was within the very walls that once welcomed Roger Capron<\/a> \u2014the great master who elevated ceramics to the realm of art\u2014 that Olivia chose to establish her atelier. Not as an act of nostalgia, but as a promise of continuity. In this legendary space, which she restored with reverence and sensitivity, her work breathes the history of the Mediterranean and the modern pulse of a new generation of artists.<\/p>\n\n

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Cognet\u2019s work is both bold and delicate. It moves effortlessly between sculpture, design, and interior architecture, with pieces that seem to emerge from the earth to touch the sky. Large-scale ceramic murals, totem-like lamps, tables that resemble sacred ruins: her visual language speaks of a primal connection to materials, yet it is filtered through a refined and contemporary gaze. Within her pieces, the sensuality of fired clay, geometric precision, and an innate sculptural intuition coexist in perfect harmony.<\/p>\n\n\n

Olivia Cognet reinvents the poetic experience of creation, shaping her vision through the purity of the material. This is the magic of the artisan, combined with the promise of a vibrant beauty that elevates everyday life.<\/p>\n\n\n

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Her admiration for Roger Capron is not only aesthetic, but ethical. Like him, she believes in ceramics as a way of life, not merely as a medium. Like him, she sees objects as extensions of an artistic soul. \u201cI am inspired by his ability to merge art and function with timeless poetry,\u201d she has said in interviews. In her Vallauris studio, the echo of Capron\u2019s kiln can still be felt \u2014but now the fire belongs to her.<\/p>\n\n\n

The world has taken notice. Her sculptures and furniture pieces have been embraced by some of the most influential contemporary design galleries. In the United States, The Future Perfect<\/em> has showcased her work in Miami, Los Angeles, and New York, establishing her as one of the most distinctive voices in ceramic art today. In Europe, Galerie JAG in Paris has presented her pieces like rare treasures: with silence and wonder.<\/p>\n\n\n

Halfway between the monumental and the intimate, Olivia Cognet\u2019s work proposes a new ceramic humanism. An alchemy in which hand, matter, and memory come together to give shape to forms that are not only seen, but felt. As Capron once said, \u201cceramics must speak to the soul.\u201d And Olivia Cognet\u2019s voice does so, with depth and light.<\/p>\n\n

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Source: Olivia Cognet.<\/p>\n\n

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Olivia Cognet
<\/strong>www.oliviacognet.com<\/a>
@olivia_cognet<\/a><\/p>\n<\/div>\n\n\n

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Olivia Cognet reinvents the poetic experience of creation, shaping her vision through the purity of the material. This is the magic of the artisan, combined with the promise of a vibrant beauty that elevates everyday life.<\/p>\n","protected":false},"author":1,"featured_media":38772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":"","_ppma_block_editor_authors":""},"categories":[742,632],"tags":[1252,1888,1889],"ppma_author":[296],"class_list":["post-38834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-crafts-en","tag-artistic-ceramics","tag-olivia-cognet-en","tag-vallauris-en"],"authors":[{"term_id":296,"user_id":0,"is_guest":1,"slug":"andres-moratinos","display_name":"Andr\u00e9s Moratinos","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/38834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=38834"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/38834\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/38772"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=38834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=38834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=38834"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=38834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}