{"id":40461,"date":"2025-07-24T14:48:15","date_gmt":"2025-07-24T14:48:15","guid":{"rendered":"https:\/\/exagono.es\/julia-martins-miranda-nos-demuestra-desde-su-casa-estudio-en-sicilia-que-aun-es-posible-habitar-el-mundo-con-belleza-alma-y-raices\/"},"modified":"2025-07-24T15:42:19","modified_gmt":"2025-07-24T15:42:19","slug":"from-her-home-and-studio-in-sicily-brazilian-artist-julia-martins-miranda-reminds-us-that-it-is-still-possible-to-inhabit-the-world-with-beauty-soul-and-roots","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/from-her-home-and-studio-in-sicily-brazilian-artist-julia-martins-miranda-reminds-us-that-it-is-still-possible-to-inhabit-the-world-with-beauty-soul-and-roots\/","title":{"rendered":"From her home and studio in Sicily, brazilian artist J\u00falia Martins Miranda reminds us that it is still possible to inhabit the world with beauty, soul and roots"},"content":{"rendered":"\n<div style=\"height:60px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-038241\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><p class=\"eplus-wrapper eplus-styles-uid-3496c4 wp-block-paragraph\">In the baroque heart of Noto, in southern Sicily, there rises a pink house, luminous and serene, where painting merges with music and the scent of bougainvillea. This is where <a href=\"https:\/\/www.juliamartinsmiranda.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"> J\u00falia Martins Miranda<\/a> lives and works, a Brazilian artist who has found, in the depth of time and the Mediterranean light, a new place to belong. In her house-studio, a former monastery restored with patience, love, and local hands, J\u00falia has shaped an intimate and radiant universe that is at once a refuge, a workshop, and a poetic manifesto.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-4d3283 wp-block-paragraph\">Born in Belo Horizonte, Brazil, J\u00falia trained as a photographer and musician before surrendering to painting with passion. The visual rhythm of her canvases reveals this fusion: there is cadence, harmony, and deep silence in them. Her training took her through cities such as S\u00e3o Paulo, Milan, and New York, where she absorbed new perspectives and languages, yet never lost touch with the pulse of her homeland, which persists in her work like a quiet melody. In her art, the Brazilian spirit is not a theme, but an echo, an atmosphere, a memory filtered through distance.<\/p><\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1201\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_9814.jpg\" alt=\"\" class=\"wp-image-40439\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_9814.jpg 1201w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_9814-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_9814-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_9814-768x1151.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_9814-1025x1536.jpg 1025w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_9814-60x90.jpg 60w\" sizes=\"(max-width: 1201px) 100vw, 1201px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-58eecc\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img decoding=\"async\" width=\"1213\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Calor.jpg\" alt=\"\" class=\"wp-image-40411\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Calor.jpg 1213w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Calor-202x300.jpg 202w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Calor-690x1024.jpg 690w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Calor-768x1140.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Calor-1035x1536.jpg 1035w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Calor-60x89.jpg 60w\" sizes=\"(max-width: 1213px) 100vw, 1213px\" \/><figcaption class=\"wp-element-caption\">Calor<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-382920\">Pindorama: a series born of memory, nostalgia, and desire<\/h2>\n\n<p class=\"eplus-wrapper eplus-styles-uid-382920 wp-block-paragraph\">Her latest series of paintings is titled Pindorama, the Tupi-Guarani word meaning \u201cland of the palm trees\u201d, the ancestral name of Brazil before colonisation. In these works, J\u00falia paints from memory, nostalgia, and desire. Her palette bursts with warm tones, orange, red, yellow, that seem to ripen on the canvas, while organic forms float like islands in an emotional geography. Each painting is an intimate map of her childhood, a scene from an invented paradise where the poetry of Ad\u00e9lia Prado, the music of Tom Jobim, and the sensuality of the tropics converge.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-382920 wp-block-paragraph\">\u201cPainting is a way of returning,\u201d says the artist. Not to a specific place, but to a slower state of consciousness, one that is closer to what is essential. Pindorama does not depict the jungle or folklore, but an inner forest, where feelings of belonging, uprootedness, and reconciliation bloom.<\/p><\/div>\n<\/div>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img decoding=\"async\" width=\"1800\" height=\"1212\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Afeto.jpg\" alt=\"\" class=\"wp-image-40398\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Afeto.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Afeto-300x202.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Afeto-1024x689.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Afeto-768x517.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Afeto-1536x1034.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Afeto-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Afeto<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-ece3a0\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1419\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Pe-de-flor.jpg\" alt=\"\" class=\"wp-image-40402\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Pe-de-flor.jpg 1419w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Pe-de-flor-237x300.jpg 237w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Pe-de-flor-807x1024.jpg 807w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Pe-de-flor-768x974.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Pe-de-flor-1211x1536.jpg 1211w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Pe-de-flor-60x76.jpg 60w\" sizes=\"(max-width: 1419px) 100vw, 1419px\" \/><figcaption class=\"wp-element-caption\">Pe de flor<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1593\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/O-que-sobrou-do-dia.jpg\" alt=\"\" class=\"wp-image-40400\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/O-que-sobrou-do-dia.jpg 1593w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/O-que-sobrou-do-dia-266x300.jpg 266w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/O-que-sobrou-do-dia-906x1024.jpg 906w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/O-que-sobrou-do-dia-768x868.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/O-que-sobrou-do-dia-1359x1536.jpg 1359w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/O-que-sobrou-do-dia-60x68.jpg 60w\" sizes=\"(max-width: 1593px) 100vw, 1593px\" \/><figcaption class=\"wp-element-caption\">O que sobrou do dia<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"886\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Entre-o-vento.jpg\" alt=\"\" class=\"wp-image-40406\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Entre-o-vento.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Entre-o-vento-300x148.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Entre-o-vento-1024x504.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Entre-o-vento-768x378.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Entre-o-vento-1536x756.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Entre-o-vento-60x30.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Entre o vento<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1109\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Semear.jpg\" alt=\"\" class=\"wp-image-40409\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Semear.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Semear-300x185.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Semear-1024x631.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Semear-768x473.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Semear-1536x946.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/Semear-60x37.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">Semear<\/figcaption><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-b8dc26\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-4d3283\">Her house studio, a restored monastery<\/h2>\n\n<p class=\"eplus-wrapper eplus-styles-uid-4d3283 wp-block-paragraph\">The story of this series cannot be separated from the place where it was created. J\u00falia\u2019s home is a former monastery in Noto\u2019s historic centre, which she restored alongside her couple, designer Mimmo Calcagno, with the collaboration of local artisans. Respect for the soul of the building guided every decision: they preserved the irregular walls, high ceilings, and stone floors, removing modern partitions to allow the light to enter like an honoured guest.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-4d3283 wp-block-paragraph\">The furnishings, minimal and essential, were crafted to measure by local carpenters, reflecting a dialogue between tradition and contemporary simplicity. The kitchen opens onto a patio lush with tropical vegetation. The shower, without walls or doors, becomes a creative ritual: \u201cIt\u2019s where I think through my paintings, where everything begins,\u201d the artist confesses. In this home, every corner and every object is not part of a set, but part of an emotional atmosphere.<\/p><\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_5525.jpg\" alt=\"\" class=\"wp-image-40426\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_5525.jpg 1201w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_5525-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_5525-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_5525-768x1151.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_5525-1025x1536.jpg 1025w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_5525-60x90.jpg 60w\" sizes=\"(max-width: 1201px) 100vw, 1201px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1201\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6247.jpg\" alt=\"\" class=\"wp-image-40391\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6247.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6247-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6247-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6247-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6247-1536x1025.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6247-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6247-720x480.jpg 720w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1201\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_1008-1.jpg\" alt=\"\" class=\"wp-image-40423\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_1008-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_1008-1-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_1008-1-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_1008-1-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_1008-1-1536x1025.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_1008-1-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_1008-1-720x480.jpg 720w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-8729f3\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6485.jpg\" alt=\"\" class=\"wp-image-40434\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6485.jpg 1201w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6485-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6485-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6485-768x1151.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6485-1025x1536.jpg 1025w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6485-60x90.jpg 60w\" sizes=\"(max-width: 1201px) 100vw, 1201px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6741.jpg\" alt=\"\" class=\"wp-image-40436\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6741.jpg 1201w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6741-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6741-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6741-768x1151.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6741-1025x1536.jpg 1025w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_6741-60x90.jpg 60w\" sizes=\"(max-width: 1201px) 100vw, 1201px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Sicily: an island where time slows down<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The choice of Sicily was no coincidence. On the island, J\u00falia found the slow time and constant light that her work requires. Life here unfolds at a gentler pace, as if each gesture could be contemplated before it happens. That slowness is also a form of resistance, against digital haste, urban noise, and emotional disconnection. Her house studio stands as a manifesto against the speed of contemporary life.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">During the summer, J\u00falia opens her doors to share her work and hosts evenings of conversation, live music, and local cuisine, which she calls \u201ctropical soir\u00e9es.\u201d Her exhibitions, like the one held at Iuta Farm, an artistic retreat nestled among olive trees and the sea, embody her way of inhabiting art through intimacy.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">In J\u00falia Martins Miranda, the artist and the emotional architect converge. Her home is not a backdrop, but an extension of her painting. Her works do not depict landscapes, they create them. Every gesture, every colour, every texture constructs an enveloping atmosphere that invites reflection, celebration, and contemplation. Rarely is the fusion between life and work, between space and thought, so clearly expressed.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">In Noto, the brazilian artist has built a tropical heart, a place that does not belong to a specific time, but to a sensibility, one that reminds us, like her work, that it is still possible to inhabit the world with beauty, roots and soul.<\/p>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-65ae60\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_0141.jpg\" alt=\"\" class=\"wp-image-40429\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_0141.jpg 1201w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_0141-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_0141-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_0141-768x1151.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_0141-1025x1536.jpg 1025w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_0141-60x90.jpg 60w\" sizes=\"(max-width: 1201px) 100vw, 1201px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1201\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_3187.jpg\" alt=\"\" class=\"wp-image-40431\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_3187.jpg 1201w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_3187-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_3187-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_3187-768x1151.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_3187-1025x1536.jpg 1025w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/07\/800_3187-60x90.jpg 60w\" sizes=\"(max-width: 1201px) 100vw, 1201px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">Source: J\u00falia Martins Miranda.<br><strong>Photographs<\/strong> provided by J\u00falia Martins Miranda.<\/p>\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-892ccb\"><div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow eplus-styles-uid-11d33e\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>J\u00falia Martins Miranda<br><\/strong>ciao@juliamartinsmiranda.com<br><a href=\"https:\/\/www.juliamartinsmiranda.com\" target=\"_blank\" rel=\"noreferrer noopener\">www.juliamartinsmiranda.com<\/a><br>@<a href=\"https:\/\/www.instagram.com\/julia.martins.miranda\/\" target=\"_blank\" rel=\"noreferrer noopener\">julia.martins.miranda<\/a><\/p>\n<\/div>\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>In her home, an old monastery patiently restored with love and the help of local artisans, the brazilian artist has shaped an intimate and radiant universe that is at once a refuge, a workshop, and a poetic manifesto.<\/p>\n","protected":false},"author":1,"featured_media":40417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":"","_ppma_block_editor_authors":""},"categories":[742],"tags":[1708,818,1918,1092,1904],"ppma_author":[296],"class_list":["post-40461","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art","tag-interior-design","tag-julia-martins-miranda-en","tag-painting-en","tag-siciliy"],"authors":[{"term_id":296,"user_id":0,"is_guest":1,"slug":"andres-moratinos","display_name":"Andr\u00e9s Moratinos","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/40461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=40461"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/40461\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/40417"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=40461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=40461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=40461"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=40461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}