{"id":44238,"date":"2025-09-22T10:44:50","date_gmt":"2025-09-22T10:44:50","guid":{"rendered":"https:\/\/exagono.es\/la-nueva-coleccion-bossa-nova-de-tres-tintas-revive-la-exuberancia-tropical-y-la-sensualidad-de-la-obra-de-roberto-burle-marx\/"},"modified":"2025-09-22T16:23:29","modified_gmt":"2025-09-22T16:23:29","slug":"the-new-bossa-nova-collection-by-tres-tintas-revives-the-tropical-exuberance-and-sensuality-of-roberto-burle-marxs-work","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/the-new-bossa-nova-collection-by-tres-tintas-revives-the-tropical-exuberance-and-sensuality-of-roberto-burle-marxs-work\/","title":{"rendered":"The new Bossa Nova collection by Tres Tintas revives the tropical exuberance and sensuality of Roberto Burle Marx\u2019s work"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-69917b wp-block-paragraph\">Inspired by the extraordinary Brazilian naturalist, landscape designer, painter, botanist and dreamer<a href=\"https:\/\/es.wikipedia.org\/wiki\/Roberto_Burle_Marx\" target=\"_blank\" rel=\"noreferrer noopener\"> Roberto Burle Mar<\/a>x (1909\u20131994), the collection weaves in its designs a bridge between the living and the artistic, between organic geometry and the poetry of tropical flora. Burle Marx transformed gardens into canvases: palms, ferns, bromeliads, water lilies, native plants gathered in compositions that seem to dance. His garden was always a sensory laboratory. The Sitio Roberto Burle Marx, where he lived for more than 40 years, was his home-laboratory, where he embodied that vision: sinuous forms, contrasts of light and shadow, abundant vegetation that flows, the landscape as a living work.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\"><a href=\"https:\/\/trestintas.com\/es\/shop\/collection\/bossa-nova\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Bossa Nova collection<\/a> by Tres Tintas evokes this visual legacy and resonates with the music of the same name: Bossa Nova, a Brazilian melody born in the 1950s, soft and sophisticated, with subtle samba rhythms and the cadence of jazz, capable of making silence part of the harmony. That musicality is reflected in the wallpapers of the collection: strokes that suggest, patterns that slide like chords, vegetal waves that repeat a visual cadence, colors that dare to blend in original ways.<\/p>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1800\" height=\"1070\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5304-1_02.jpg\" alt=\"\" class=\"wp-image-44212\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5304-1_02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5304-1_02-300x178.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5304-1_02-1024x609.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5304-1_02-768x457.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5304-1_02-1536x913.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5304-1_02-60x36.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\"><small>Ref. M5304-1<\/small>. Amazonia Lima.<\/figcaption><\/figure>\n\n\n<div class=\"ep-custom-column wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-a4f8a6\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:42%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img decoding=\"async\" width=\"1800\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02.jpg\" alt=\"\" class=\"wp-image-44184\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02-300x300.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02-1024x1024.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02-768x768.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02-1536x1536.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02-60x60.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5302-4_02-480x480.jpg 480w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\"><small>Ref. M5302-4<\/small>. Burle Arena.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:58%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img decoding=\"async\" width=\"1800\" height=\"1238\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5307-4_02-bis.jpg\" alt=\"\" class=\"wp-image-44186\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5307-4_02-bis.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5307-4_02-bis-300x206.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5307-4_02-bis-1024x704.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5307-4_02-bis-768x528.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5307-4_02-bis-1536x1056.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5307-4_02-bis-60x41.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\"><small>Ref. BS5307-4<\/small>. Bananeira Arena.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"ep-custom-column wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-de8b32\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:43%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1166\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5306-2_02.jpg\" alt=\"\" class=\"wp-image-44195\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5306-2_02.jpg 1166w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5306-2_02-194x300.jpg 194w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5306-2_02-663x1024.jpg 663w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5306-2_02-768x1186.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5306-2_02-995x1536.jpg 995w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5306-2_02-60x93.jpg 60w\" sizes=\"(max-width: 1166px) 100vw, 1166px\" \/><figcaption class=\"wp-element-caption\"><small>Ref. BS5306-2<\/small>. Tropicalia Arena.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:57%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1630\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5304-2_02.jpg\" alt=\"\" class=\"wp-image-44193\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5304-2_02.jpg 1630w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5304-2_02-272x300.jpg 272w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5304-2_02-927x1024.jpg 927w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5304-2_02-768x848.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5304-2_02-1391x1536.jpg 1391w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5304-2_02-60x66.jpg 60w\" sizes=\"(max-width: 1630px) 100vw, 1630px\" \/><figcaption class=\"wp-element-caption\"><small>Ref. BS5304-2<\/small>. Guan\u00e1bana Arena.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"ep-custom-column wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-d180c0\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1301\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5303-2_03.jpg\" alt=\"\" class=\"wp-image-44199\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5303-2_03.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5303-2_03-300x217.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5303-2_03-1024x740.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5303-2_03-768x555.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5303-2_03-1536x1110.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/BS5303-2_03-60x43.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\"><small>Ref. BS5303-2<\/small>. Guacamayos Arena.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1477\" height=\"1500\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/monstera-lima-repeated-patterns-coordonne-1.jpg\" alt=\"\" class=\"wp-image-44219\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/monstera-lima-repeated-patterns-coordonne-1.jpg 1477w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/monstera-lima-repeated-patterns-coordonne-1-295x300.jpg 295w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/monstera-lima-repeated-patterns-coordonne-1-1008x1024.jpg 1008w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/monstera-lima-repeated-patterns-coordonne-1-768x780.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/monstera-lima-repeated-patterns-coordonne-1-60x61.jpg 60w\" sizes=\"(max-width: 1477px) 100vw, 1477px\" \/><figcaption class=\"wp-element-caption\"><small>Ref. BS5301-5<\/small>. Monstera Lima.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1436\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5303-2_02.jpg\" alt=\"\" class=\"wp-image-44203\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5303-2_02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5303-2_02-300x239.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5303-2_02-1024x817.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5303-2_02-768x613.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5303-2_02-1536x1225.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5303-2_02-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/09\/M5303-2_02-480x384.jpg 480w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\"><small>Ref. M5303-2<\/small>. Janeiro Arena.<\/figcaption><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b12575 wp-block-paragraph\">Each design in the collection becomes a measure of music: nature interpreted with lyricism and modernity. Leaves intertwine without rigidity; patterns breathe. Light backgrounds allow botanical details to stand out like notes on the staff of the wall. It is an invitation to dress spaces with quiet joy, with poetic vitality.<\/p>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Bossa Nova by Tres Tintas is a tribute to Burle Marx\u2019s legacy, to his love for Brazilian vegetation. It is also an ode to the intimate and serene rhythm of the music that gives its name to the collection.<\/p>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Tres Tintas<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Founded in 2004 in Barcelona, Tres Tintas is a creative brand that reinvents wall coverings through signature designs, visual art, and collaborations with emerging and established voices from the design world. Artists such as Mariscal, Patricia Urquiola, L\u00e1zaro Rosa Viol\u00e1n, Patricia Bustos or Carmen Garc\u00eda Huerta are part of this project, unleashing a new vision of interior design.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">From wallpapers and decorative panels to custom murals, Tres Tintas combines contemporary aesthetics with proposals that move between the organic, the abstract, the geometric and the expressive, adapting equally to the home and to commercial spaces.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Committed to in-house production and sustainability, the brand embraces carefully selected materials, responsible processes, and the preservation of local creativity: Barcelona is not only its origin, but also a workshop of inspiration and a driving force for designers.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">With Tres Tintas, the wall becomes canvas, visual narrative, atmosphere. Each collection invites us to dream, to explore the interior space with the gesture of art, texture and design as guides.<\/p>\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-1c191f\"><div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow eplus-styles-uid-11d33e\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Tres Tintas<br><\/strong>M\u00e8xic 32,<br>08004 Barcelona<br>+34 933 227 314<br>info@trestintas.com<br><a href=\"https:\/\/trestintas.com\/es\/\" target=\"_blank\" rel=\"noreferrer noopener\">trestintas.com<\/a><\/p>\n<\/div>\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The new designs evoke this visual legacy and enter into dialogue with the music of Bossa Nova: strokes that suggest, patterns that slide like chords, vegetal waves that repeat visual cadences, colors that blend in original ways.<\/p>\n","protected":false},"author":1,"featured_media":44183,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":"","_ppma_block_editor_authors":""},"categories":[633],"tags":[2004],"ppma_author":[249],"class_list":["post-44238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-decoration","tag-tres-tintas-en"],"authors":[{"term_id":249,"user_id":1,"is_guest":0,"slug":"amoratinos","display_name":"Ex\u00e1gono","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/95418ef5af1f1a520d5386cfe82ba253c88665f94a4343ec69a36d8df034ab4b?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/44238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=44238"}],"version-history":[{"count":0,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/44238\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/44183"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=44238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=44238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=44238"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=44238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}