{"id":48298,"date":"2025-11-03T10:58:53","date_gmt":"2025-11-03T10:58:53","guid":{"rendered":"https:\/\/exagono.es\/doshi-retreat-un-santuario-de-serenidad-en-el-campus-vitra-disenado-por-los-arquitectos-balkrishna-doshi-khushnu-panthaki-y-sonke-hoof\/"},"modified":"2025-11-13T17:43:38","modified_gmt":"2025-11-13T17:43:38","slug":"doshi-retreat-a-sanctuary-of-serenity-at-the-vitra-campus-designed-by-architects-balkrishna-doshi-khushnu-panthaki-and-sonke-hoof","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/doshi-retreat-a-sanctuary-of-serenity-at-the-vitra-campus-designed-by-architects-balkrishna-doshi-khushnu-panthaki-and-sonke-hoof\/","title":{"rendered":"Doshi Retreat: a sanctuary of serenity at the Vitra Campus, designed by architects Balkrishna Doshi, Khushnu Panthaki and S\u00f6nke Hoof"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-bcc61e wp-block-paragraph\">At the <a href=\"https:\/\/www.vitra.com\/es-es\/campus\/\" target=\"_blank\" rel=\"noreferrer noopener\">Vitra Campus<\/a> in Weil am Rhein, Germany, stands this space for silent introspection: the Doshi Retreat, a creation by the great Indian master Balkrishna Doshi, in collaboration with his granddaughter, architect Khushnu Panthaki Hoof, and her husband, architect S\u00f6nke Hoof, co-founders of <a href=\"https:\/\/www.studiosangath.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Studio Sangath<\/a>. Conceived as an invitation to contemplation, the pavilion offers a sensorial journey that interlaces sound, matter, and light, inspired by Indian spirituality and by the belief that space can serve as an instrument of the soul.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">The genesis of the project goes back to a meeting between Rolf Fehlbaum, chairman emeritus of <a href=\"https:\/\/www.vitra.com\/es-es\/home\" target=\"_blank\" rel=\"noreferrer noopener\">Vitra<\/a>, and Balkrishna Doshi. After visiting the Sun Temple in Modhera, Fehlbaum showed Doshi a photograph of a small shrine, proposing that he design a place for retreat and meditation at the Vitra Campus. Doshi accepted the challenge and, together with Khushnu and S\u00f6nke, gave form to an architecture born of dialogue, where every curve and every shadow seem to breathe with inner energy.<\/p>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1800\" height=\"1350\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat06.jpg\" alt=\"\" class=\"wp-image-48218\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat06.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat06-300x225.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat06-1024x768.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat06-768x576.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat06-1536x1152.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat06-60x45.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img decoding=\"async\" width=\"1800\" height=\"1350\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat12.jpg\" alt=\"\" class=\"wp-image-48219\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat12.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat12-300x225.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat12-1024x768.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat12-768x576.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat12-1536x1152.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat12-60x45.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img decoding=\"async\" width=\"1800\" height=\"1245\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat18.jpg\" alt=\"\" class=\"wp-image-48220\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat18.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat18-300x208.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat18-1024x708.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat18-768x531.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat18-1536x1062.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat18-60x42.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1013\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat15.jpg\" alt=\"\" class=\"wp-image-48222\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat15.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat15-300x169.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat15-1024x576.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat15-768x432.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat15-1536x864.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat15-60x34.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Marek Iwicki<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1013\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat16.jpg\" alt=\"\" class=\"wp-image-48223\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat16.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat16-300x169.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat16-1024x576.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat16-768x432.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat16-1536x864.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat16-60x34.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Marek Iwicki<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1198\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat17.jpg\" alt=\"\" class=\"wp-image-48224\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat17.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat17-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat17-1024x682.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat17-768x511.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat17-1536x1022.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat17-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat17-720x480.jpg 720w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Marek Iwicki<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1195\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat10.jpg\" alt=\"\" class=\"wp-image-48237\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat10.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat10-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat10-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat10-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat10-1536x1020.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat10-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1195\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat13.jpg\" alt=\"\" class=\"wp-image-48238\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat13.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat13-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat13-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat13-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat13-1536x1020.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat13-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1195\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat07.jpg\" alt=\"\" class=\"wp-image-48236\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat07.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat07-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat07-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat07-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat07-1536x1020.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat07-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1195\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat11.jpg\" alt=\"\" class=\"wp-image-48251\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat11.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat11-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat11-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat11-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat11-1536x1020.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat11-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1196\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat09.jpg\" alt=\"\" class=\"wp-image-48250\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat09.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat09-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat09-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat09-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat09-1536x1021.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat09-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1196\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat08-1.jpg\" alt=\"\" class=\"wp-image-48249\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat08-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat08-1-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat08-1-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat08-1-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat08-1-1536x1021.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat08-1-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1196\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat05.jpg\" alt=\"\" class=\"wp-image-48248\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat05.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat05-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat05-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat05-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat05-1536x1021.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat05-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-4a6cfa wp-block-paragraph\">The Doshi Retreat \u2014 Doshi\u2019s final project and the only one built outside India \u2014 unfolds as a meandering path that descends underground, guiding the visitor along metallic walls that vibrate with the soft echoes of gongs and ceramic flutes. Sound, an essential component of the experience, acts as a bridge between body and space: a vibration that dissolves boundaries and allows architecture to be felt from within.<\/p>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">At the heart of the journey lies the chamber of contemplation, a circular space crowned by a mandala of hand-hammered brass crafted in India. Its roof, partially open to the sky, allows light, air, and rain to enter. A shallow pool of rainwater traces the perimeter, reflecting the golden glimmers that fall from the mandala and multiplying the sense of stillness.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Built with XCarb\u00ae steel \u2014 a low-emission material produced with renewable energy and donated by <a href=\"https:\/\/corporate.arcelormittal.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">ArcelorMittal<\/a> \u2014 the pavilion engages in a dialogue with nature through time: its metallic skin, exposed to the air, will develop a warm, living patina that changes with the seasons.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The form of the Doshi Retreat \u2014 which, according to Khushnu Panthaki, was born from a dream in which Doshi saw two intertwined cobras \u2014 connects to the Kundalini philosophy, the spiral energy that rises along the spine in yogic tradition. Thus, the visitor\u2019s path becomes a journey of inner ascension: from outer silence to inner silence, from metal to soul. \u201cSound, resonating within the visitor\u2019s body, erases the boundary between the self and the structure,\u201d explains Khushnu Panthaki. \u201cThe building reflects the sound back to you, turning both the path and the chamber into resonant instruments.\u201d<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">The Doshi Retreat is not intended as a temple or a museum. It is, rather, a presence \u2014 a place that invites you to lose yourself, to be enveloped by the gentle confusion of space and the murmur of the wind. A contemporary sanctuary where architecture can be heard.<\/p>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1196\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat04-1.jpg\" alt=\"\" class=\"wp-image-48257\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat04-1.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat04-1-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat04-1-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat04-1-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat04-1-1536x1021.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat04-1-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1196\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat03.jpg\" alt=\"\" class=\"wp-image-48256\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat03.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat03-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat03-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat03-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat03-1536x1021.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat03-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1195\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat01.jpg\" alt=\"\" class=\"wp-image-48254\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat01.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat01-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat01-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat01-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat01-1536x1020.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat01-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1195\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat02.jpg\" alt=\"\" class=\"wp-image-48255\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat02.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat02-300x199.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat02-1024x680.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat02-768x510.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat02-1536x1020.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat02-60x40.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Vitra, photo: Julien Lanoo<\/figcaption><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<figure class=\" wp-block-video alignwide eplus-wrapper\"><video controls poster=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Retreat07.jpg\" preload=\"none\" src=\"https:\/\/player.vimeo.com\/external\/1128769092.m3u8?s=5cb255ef0874d55567159c22c707aa42d84301f6&amp;logging=false\"><\/video><figcaption class=\"wp-element-caption\">@Vitra<\/figcaption><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b97b9c wp-block-paragraph\"><strong><strong>Project<\/strong><\/strong>: Doshi Retreat.<br><strong><strong>Location<\/strong><\/strong>: <a href=\"https:\/\/www.vitra.com\/es-es\/campus\" target=\"_blank\" rel=\"noreferrer noopener\">Campus Vitra<\/a>. Weil am Rhein (Alemania).<br><strong><strong>Completed<\/strong><\/strong>: 2025.<br><strong><strong>Architecture<\/strong><\/strong>: Balkrishna Doshi, Khushnu Panthaki y S\u00f6nke Hoof (<a href=\"https:\/\/www.studiosangath.org\" target=\"_blank\" rel=\"noreferrer noopener\">Studio Sangath<\/a>).<br><strong><strong>Photography<\/strong><\/strong>: \u00a9 Vitra, <a href=\"https:\/\/www.julienlanoo.com\" target=\"_blank\" rel=\"noreferrer noopener\">Julien Lanoo<\/a> y Marek Iwicki.<br><strong><strong>Source<\/strong><\/strong>: Studio Sangath.<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Iwan-Baan-683x1024.jpg\" alt=\"\" class=\"wp-image-48203\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Iwan-Baan-683x1024.jpg 683w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Iwan-Baan-200x300.jpg 200w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Iwan-Baan-768x1152.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Iwan-Baan-1024x1536.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Iwan-Baan-60x90.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Doshi-Iwan-Baan.jpg 1200w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Balkrishna Doshi<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Balkrishna Doshi (Pune, 1927 \u2013 Ahmedabad, 2023) fue el gran humanista de la arquitectura india contempor\u00e1nea: un maestro que entendi\u00f3 el espacio como un organismo vivo, en di\u00e1logo con el clima, la cultura y la vida cotidiana. Formado en la Sir J.J. School of Architecture de Bombay, comenz\u00f3 su trayectoria en los a\u00f1os de la independencia de la India, cuando el pa\u00eds imaginaba sus instituciones y sus ciudades futuras. Muy pronto colabor\u00f3 con Le Corbusier \u2014en Chandigarh y Ahmedabad\u2014 y, tiempo despu\u00e9s, con Louis I. Kahn, a quien alent\u00f3 a dise\u00f1ar el Indian Institute of Management de Ahmedabad. De ambos extrajo una \u00e9tica del lugar: \u201ccon sensibilidad, las antenas captan lo local\u201d, dir\u00eda, una idea que convirti\u00f3 en m\u00e9todo a lo largo de siete d\u00e9cadas de oficio.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">En 1956 fund\u00f3 en Ahmedabad su estudio Vastushilpa (hoy Studio Sangath) y, poco despu\u00e9s, dise\u00f1\u00f3 y dirigi\u00f3 la CEPT University, un campus sin puertas ni l\u00edmites, pensado como laboratorio abierto de aprendizaje y de ciudad. Para Doshi, la arquitectura es trama de relaciones: lugares porosos que evolucionan con las personas y las estaciones, donde luz, sombra, viento y silencio participan de la obra tanto como el ladrillo. Esa mirada \u2014po\u00e9tica y radicalmente pr\u00e1ctica\u2014 se fragu\u00f3 observando la vida dom\u00e9stica y comunal de la India, y se tradujo en soluciones austeras, modulares y adaptables. &nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Su obra emblem\u00e1tica, Aranya Low-Cost Housing (Indore), es paradigma de esa \u00e9tica: un tejido progresivo de viviendas y patios que hoy acoge a m\u00e1s de 80.000 personas y que obtuvo el Aga Khan Award en 1996. No son \u201ccasas\u201d sino \u201chogares\u201d, escribi\u00f3, porque su dise\u00f1o permite crecer, prosperar y reconfigurarse con el tiempo, democratizando el acceso a ciudad y dignidad. &nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Otros hitos, como Amdavad ni Gufa (con M.F. Husain), el Institute of Indology, su propio estudio Sangath y el Indian Institute of Management Bangalore \u2014inspirado en los templos de Madurai y la ciudad-palacio de Fatehpur Sikri\u2014, condensan su s\u00edntesis de modernidad y tradici\u00f3n: b\u00f3vedas y sombras profundas, recorridos laber\u00ednticos y patios que dosifican la luz, tect\u00f3nica robusta y una sensualidad clim\u00e1tica que invita al encuentro. En todos ellos, la forma es un soporte de acciones, recuerdos y rituales, y la medida real de cada obra es la vida que alberga. &nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Reconocido tard\u00edamente en Occidente, Doshi recibi\u00f3 el Pritzker Prize en 2018 y la Royal Gold Medal del RIBA en 2022, distinciones que subrayaron su \u201cprofundo sentido de responsabilidad\u201d y su contribuci\u00f3n a una arquitectura aut\u00e9ntica, social y culturalmente sostenible. Pero su legado excede los galardones: es una pedagog\u00eda de la atenci\u00f3n \u2014al clima, a la econom\u00eda de medios, a la memoria del lugar y a la dignidad de quienes habitan\u2014 que hoy gu\u00eda a generaciones de arquitectos. &nbsp;<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Ese legado cristaliza, a modo de ep\u00edlogo vital, en el Doshi Retreat del Vitra Campus (Weil am Rhein), dise\u00f1ado con su nieta, la arquitecta Khushnu Panthaki Hoof, y su marido, el tambi\u00e9n arquitecto S\u00f6nke Hoof: un espacio de contemplaci\u00f3n inspirado en la espiritualidad india, recorrido sensorial de sonido y serenidad, y la \u00fanica obra de Doshi fuera de la India, terminada tras su fallecimiento. Es un gesto final que confirma su credo: la arquitectura como celebraci\u00f3n, tr\u00e1nsito y escucha. &nbsp;<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">Queda as\u00ed la estela de Doshi: una arquitectura que pretende transformarse con la vida; que economiza sin renunciar a la belleza; que aprende de la calle y del patio; que propone estructuras abiertas para que las personas puedan llegar a ser lo que quieren ser. Esa lecci\u00f3n \u2014humilde y luminosa\u2014 es su herencia m\u00e1s f\u00e9rtil. \u00a0<br><\/p>\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1015\" height=\"1024\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Khushnu-Sonke-1015x1024.jpg\" alt=\"\" class=\"wp-image-48227\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Khushnu-Sonke-1015x1024.jpg 1015w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Khushnu-Sonke-297x300.jpg 297w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Khushnu-Sonke-150x150.jpg 150w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Khushnu-Sonke-768x775.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Khushnu-Sonke-1522x1536.jpg 1522w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Khushnu-Sonke-2030x2048.jpg 2030w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/Khushnu-Sonke-60x61.jpg 60w\" sizes=\"(max-width: 1015px) 100vw, 1015px\" \/><figcaption class=\"wp-element-caption\">Khushnu Panthaki y S\u00f6nke Hoof, arquitectos fundadores del Studio Sangath<\/figcaption><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Khushnu Panthaki y S\u00f6nke Hoof<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Khushnu Panthaki, arquitecta india y nieta de Balkrishna Doshi, dirige junto a su marido, el arquitecto alem\u00e1n S\u00f6nke Hoof, el Studio Sangath, con sede en Ahmedabad (India). El estudio contin\u00faa la herencia de Doshi desde una mirada contempor\u00e1nea, combinando investigaci\u00f3n arquitect\u00f3nica, arte y pedagog\u00eda. Su enfoque parte del respeto profundo por la tradici\u00f3n india, el paisaje y la experiencia humana del espacio.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">En el Doshi Retreat, Khushnu y S\u00f6nke tradujeron el pensamiento de Doshi en una arquitectura que trasciende la forma para adentrarse en el alma: un gesto de continuidad y gratitud hacia quien les ense\u00f1\u00f3 que la arquitectura se vive y se escucha.<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/campus-Vitra-1024x681.jpg\" alt=\"\" class=\"wp-image-48233\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/campus-Vitra-1024x681.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/campus-Vitra-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/campus-Vitra-768x511.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/campus-Vitra-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/campus-Vitra-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/11\/campus-Vitra.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Campus Vitra<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Fundada en 1950 en Suiza por Willi y Erika Fehlbaum, Vitra es hoy una de las firmas m\u00e1s influyentes del dise\u00f1o contempor\u00e1neo. Su colaboraci\u00f3n con Charles y Ray Eames defini\u00f3 el ADN de la empresa, basado en la innovaci\u00f3n, la durabilidad y el di\u00e1logo entre industria y cultura. A lo largo de las d\u00e9cadas, Vitra ha trabajado con grandes creadores \u2014de Verner Panton a Patricia Urquiola\u2014 y ha desarrollado un compromiso profundo con la sostenibilidad y el dise\u00f1o responsable.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">El Campus Vitra, en Weil am Rhein (Alemania), es un paisaje arquitect\u00f3nico y cultural \u00fanico. Re\u00fane edificios de Frank Gehry, Herzog &amp; de Meuron, Tadao Ando, Zaha Hadid y otros nombres esenciales del siglo XX y XXI. Adem\u00e1s de albergar el Vitra Design Museum, el campus se ha convertido en un parque p\u00fablico y un centro de reflexi\u00f3n sobre la relaci\u00f3n entre arquitectura, naturaleza y comunidad.<\/p>\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-a744aa\"><div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow eplus-styles-uid-11d33e\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Studio Sangath<br><\/strong>Ahmedabad (Gujarat)<br>380054 India<br>studio@sangath.org<br><a href=\"https:\/\/www.studiosangath.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.studiosangath.org<\/a><\/p>\n<\/div>\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>At the Doshi Retreat, Khushnu and S\u00f6nke translated Doshi\u2019s thought into an architecture that transcends form to reach the soul: a gesture of continuity and gratitude toward the one who taught them that architecture is something to be lived and listened to.<\/p>\n","protected":false},"author":1,"featured_media":48296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":""},"categories":[624],"tags":[2100,2101,2102],"ppma_author":[296],"class_list":["post-48298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","tag-balkrishna-doshi","tag-studio-sangath","tag-vitra-campus"],"authors":[{"term_id":296,"user_id":0,"is_guest":1,"slug":"andres-moratinos","display_name":"Andr\u00e9s Moratinos","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/48298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=48298"}],"version-history":[{"count":8,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/48298\/revisions"}],"predecessor-version":[{"id":49650,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/48298\/revisions\/49650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/48296"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=48298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=48298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=48298"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=48298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}