{"id":52987,"date":"2025-12-23T08:36:42","date_gmt":"2025-12-23T08:36:42","guid":{"rendered":"https:\/\/exagono.es\/la-casa-del-filosofo-jose-costa-rehabilita-una-vivienda-abandonada-en-el-barrio-valenciano-de-nazaret-en-estrecho-dialogo-con-su-propietario\/"},"modified":"2026-01-12T16:08:18","modified_gmt":"2026-01-12T16:08:18","slug":"the-philosophers-house-jose-costa-restores-an-abandoned-home-in-valencias-nazaret-neighbourhood-in-close-dialogue-with-its-owner","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/the-philosophers-house-jose-costa-restores-an-abandoned-home-in-valencias-nazaret-neighbourhood-in-close-dialogue-with-its-owner\/","title":{"rendered":"The philosopher\u2019s house: Jose Costa restores an abandoned home in Valencia\u2019s Nazaret neighbourhood, in close dialogue with its owner"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-bcc61e wp-block-paragraph\">In Valencia\u2019s Nazaret neighbourhood, far from any grand or ostentatious gesture, a dwelling reopens itself to the city after years of abandonment. This house\u2014named The philosopher\u2019s house by the architect in reference to the profession of its owner\u2014does not stem from an abstract idea or a closed programme, but from the owner\u2019s choice of the pre-existing structure\u2014sealed off, silent, marked by traces of time\u2014and from the dialogue established with architect <a href=\"https:\/\/josecosta.es\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jose Costa<\/a>, with whom there was a strong mutual understanding from the outset. From this exchange emerges an architecture shaped by use, coexistence and time.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">The project unfolds as a succession of interconnected interior and exterior spaces, revealed progressively. There are no rigid hierarchies or isolated rooms: the house functions as a continuous system in which each space responds to a specific way of living. A patio conceived as a place for gathering friends brings social life into the heart of the home. A large bookcase organises the space and gives physical form to an extensive book collection, understood as an active part of inhabiting.<\/p>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-08575e\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:42%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1499\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-02.jpg\" alt=\"\" class=\"wp-image-52950\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-02.jpg 1499w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-02-250x300.jpg 250w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-02-853x1024.jpg 853w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-02-768x922.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-02-1279x1536.jpg 1279w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-02-60x72.jpg 60w\" sizes=\"(max-width: 1499px) 100vw, 1499px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:58%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img decoding=\"async\" width=\"1800\" height=\"1445\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-03.jpg\" alt=\"\" class=\"wp-image-52949\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-03.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-03-300x241.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-03-1024x822.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-03-768x617.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-03-1536x1233.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-03-60x48.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-03-480x384.jpg 480w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper eplus-styles-uid-6e755f\"><img decoding=\"async\" width=\"1800\" height=\"1508\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-06.jpg\" alt=\"\" class=\"wp-image-52953\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-06.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-06-300x251.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-06-1024x858.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-06-768x643.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-06-1536x1287.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-06-60x50.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1107\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-07.jpg\" alt=\"\" class=\"wp-image-52945\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-07.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-07-300x185.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-07-1024x630.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-07-768x472.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-07-1536x945.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-07-60x37.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1369\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-08.jpg\" alt=\"\" class=\"wp-image-52955\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-08.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-08-300x228.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-08-1024x779.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-08-768x584.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-08-1536x1168.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-08-60x46.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1392\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-09.jpg\" alt=\"\" class=\"wp-image-52956\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-09.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-09-300x232.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-09-1024x792.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-09-768x594.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-09-1536x1188.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-09-60x46.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1488\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-11.jpg\" alt=\"\" class=\"wp-image-52957\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-11.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-11-300x248.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-11-1024x847.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-11-768x635.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-11-1536x1270.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-11-60x50.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-4a6cfa wp-block-paragraph\">The house incorporates a room dedicated to yoga practice, a space for concentration and bodily care, and a study for writing and thinking\u2014intimate yet visually connected to the rest of the home\u2014alongside open areas where the owner\u2019s two dogs can roam freely. A flexible mezzanine can accommodate guests or become a place to play music, while the upper terrace offers a space for rest and light.<\/p>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Spaces for multiple uses<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">This logic of multiplicity extends to every element. The bedroom also functions as a cinema; the bathroom becomes a dressing room; the staircase turns into storage. Even the floor participates in the project, allowing natural light to pass through it, descending and connecting different levels. Costa\u2019s architecture does not seek to accumulate functions, but to conceive each space in terms of its capacity to adapt to different situations without losing clarity.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">The intervention embraces the building\u2019s history as part of the project. Original hydraulic tiles are recovered and repositioned; existing doors are restored and transformed. Traces of old paint surfaces reappear and are integrated as fragments that narrate the house\u2019s past. Structural reinforcements are not concealed: they are revealed and become part of the ceiling\u2019s language. Exposed brick walls lay bare the construction process and the memory of the place.<\/p>\n\n\n<figure class=\" wp-block-image alignfull size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1649\" height=\"1800\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-21.jpg\" alt=\"\" class=\"wp-image-52961\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-21.jpg 1649w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-21-275x300.jpg 275w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-21-938x1024.jpg 938w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-21-768x838.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-21-1407x1536.jpg 1407w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-21-60x65.jpg 60w\" sizes=\"(max-width: 1649px) 100vw, 1649px\" \/><\/figure>\n\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-56ab88\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1624\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-19.jpg\" alt=\"\" class=\"wp-image-52960\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-19.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-19-300x271.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-19-1024x924.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-19-768x693.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-19-1536x1386.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-19-60x54.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1541\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-16.jpg\" alt=\"\" class=\"wp-image-52959\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-16.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-16-300x257.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-16-1024x877.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-16-768x657.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-16-1536x1315.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-16-60x51.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignfull eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-f2913e\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:54%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1603\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-17.jpg\" alt=\"\" class=\"wp-image-52964\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-17.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-17-300x267.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-17-1024x912.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-17-768x684.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-17-1536x1368.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-17-60x53.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:46%\">\n<figure class=\" wp-block-image size-full eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1762\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-22.jpg\" alt=\"\" class=\"wp-image-52963\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-22.jpg 1800w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-22-300x294.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-22-1024x1002.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-22-768x752.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-22-1536x1504.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/Natzaret-22-60x59.jpg 60w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">A dialogue between old and new<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">A singular element\u2014the red staircase\u2014introduces a counterpoint within this dialogue between the new and the existing. Over time, the vegetation that accompanies it will transform its presence, softening the initial gesture and reinforcing the idea of a house that does not end when construction is complete, but continues to evolve.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The house is wrapped in a constant natural light, treated as a material of the project. This light unifies the different layers\u2014old and new, domestic and introspective\u2014and allows the dwelling to recover its relationship with the street and the neighbourhood.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">The philosopher\u2019s house is, in essence, an architecture built through conversation and attention to detail. A project in which every decision responds to a specific way of living, and in which the past is incorporated into the house to give rise to a new life. Another one.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\"><strong><strong>Project<\/strong><\/strong>: La casa del fil\u00f3sofo.\u2028<br><strong><strong>Location<\/strong><\/strong>: Barrio de Nazaret, Valencia.<br><strong><strong>Completion<\/strong><\/strong>: 2025.<br><strong><strong>Architect<\/strong><\/strong>: <a href=\"https:\/\/josecosta.es\">Jose Costa<\/a>.<br><strong><strong>Team<\/strong><\/strong>: Ana Aguado, Victoria Recio, Bel\u00e9n de las Heras, Patricia Barber.<br><strong><strong>Technical architect<\/strong><\/strong>: Salvador Tom\u00e1s.<br><strong><strong>Photography<\/strong><\/strong>: <a href=\"https:\/\/www.fotografadearquitectura.com\" target=\"_blank\" rel=\"noreferrer noopener\">Mariela Apollonio<\/a>.<\/p>\n\n\n<figure class=\" wp-block-image alignwide size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"916\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/jose_costa-1024x916.jpg\" alt=\"\" class=\"wp-image-52940\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/jose_costa-1024x916.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/jose_costa-300x268.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/jose_costa-768x687.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/jose_costa-1536x1374.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/jose_costa-60x54.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2025\/12\/jose_costa.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\" wp-block-heading eplus-wrapper\">Jose Costa<\/h2>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Jose Costa is an architect and founder of <a href=\"https:\/\/josecosta.es\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jose Costa ARQ.<\/a>, an architecture studio based in Valencia that understands architectural practice as an active tool for improving the ways we inhabit space. The studio operates as an open platform, bringing together professionals from different disciplines who share a common ambition: to work with rigour, sensitivity and commitment through architecture.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">The practice focuses on residential, cultural and workplace projects, always approached from a critical and analytical perspective. Each commission is conceived as an opportunity to explore the limits of programme and context, combining technical efficiency with creativity, material research and constant attention to the people who will occupy the spaces. Reuse, integration with the surrounding environment and close observation of real patterns of use are essential components of the studio\u2019s working methodology.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Jose Costa was born in Alzira in 1978 and trained as an architect at the Polytechnic University of Valencia, where he graduated in 2004. That same year, winning first prize in the IVVSA National Preliminary Design Competition \u2014for the construction of a 42-unit housing project for young people in Benidorm\u2014 marked the beginning of an initial professional phase defined by projects developed within the Spanish context and an early public recognition of his work.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">In 2011, Costa moved his practice to Rio de Janeiro, which became the studio\u2019s main base until the end of 2014. During this period, he founded The House, a creative space conceived as a multidisciplinary extension of the studio, from which cross-disciplinary relationships between architecture, art, design and education were explored. This international experience broadened his frame of reference and consolidated an approach to architectural practice that remains open to experimentation and dialogue with other disciplines.<\/p>\n\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">After four years in Brazil, Jose Costa returned to Valencia, where he continues to develop architectural projects, social initiatives and artistic proposals, both through his own studio and as a co-founder of the artistic collective Enredant. Today, Jos\u00e9 Costa ARQ. maintains a practice that combines reflection and action, with an architecture attentive to context, resources and, above all, to the people who inhabit it.<\/p>\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex eplus-styles-uid-2b1355\"><div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow eplus-styles-uid-11d33e\">\n<p class=\"eplus-wrapper wp-block-paragraph\"><strong>Jose Costa Arq.<br><\/strong>The House<br>Denia 50<br>46006 Valencia<br>+34 617 525 323<br>estudio@josecosta.es<br><a href=\"https:\/\/josecosta.es\/\" target=\"_blank\" rel=\"noreferrer noopener\">josecosta.es<\/a><\/p>\n<\/div>\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>A sequence of connected spaces, without rigid hierarchies or isolated rooms: the house operates as a continuous system in which each place responds to a specific way of living.<\/p>\n","protected":false},"author":1,"featured_media":54100,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":"","_ppma_block_editor_authors":""},"categories":[624],"tags":[2112,2173,2154],"ppma_author":[296],"class_list":["post-52987","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","tag-houses-in-valencia","tag-jose-costa","tag-rehabilitation-of-old-houses"],"authors":[{"term_id":296,"user_id":0,"is_guest":1,"slug":"andres-moratinos","display_name":"Andr\u00e9s Moratinos","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/52987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=52987"}],"version-history":[{"count":12,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/52987\/revisions"}],"predecessor-version":[{"id":54101,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/52987\/revisions\/54101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/54100"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=52987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=52987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=52987"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=52987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}