{"id":54542,"date":"2026-01-17T17:21:05","date_gmt":"2026-01-17T17:21:05","guid":{"rendered":"https:\/\/exagono.es\/maisonobjet-paris-2026-el-pasado-en-la-raiz-del-futuro-del-diseno\/"},"modified":"2026-01-17T17:59:38","modified_gmt":"2026-01-17T17:59:38","slug":"maisonobjet-paris-2026-the-past-guiding-the-future-of-design","status":"publish","type":"post","link":"https:\/\/exagono.es\/en\/maisonobjet-paris-2026-the-past-guiding-the-future-of-design\/","title":{"rendered":"Maison&amp;Objet Paris 2026: the past guiding the future of design"},"content":{"rendered":"<p class=\"eplus-wrapper eplus-styles-uid-bcc61e wp-block-paragraph\">From 15 to 19 January, the city lights up its creative heart with the celebration of <a href=\"https:\/\/www.maison-objet.com\/en\/paris\" target=\"_blank\" rel=\"noreferrer noopener\">Maison&amp;Objet Paris 2026<\/a>, the international event that sets the pace for trends in interior design, decoration, furniture and lifestyle. Gathered at the vast Paris Nord Villepinte exhibition centre, thousands of professionals and creators explore and share a vision of design nourished by memory, craftsmanship and innovation.<\/p>\n\n<p class=\"eplus-wrapper eplus-styles-uid-b568c6 wp-block-paragraph\">Under the theme\u00a0<em>\u201cPast Reveals Future\u201d<\/em>, this edition offers a journey through the roots of contemporary design to gain deeper insight into its future. This perspective \u2014both sensitive and critical\u2014 invites visitors to rediscover the value of artisanal processes, the richness of traditions and the depth of forms that endure within the collective imagination. The proposal is structured around four thematic axes that trace the evolution of creative thinking:\u00a0<em>M\u00e9tamorphose<\/em>,\u00a0<em>Mutation<\/em>,\u00a0<em>Revisited Baroque<\/em>\u00a0and\u00a0<em>N\u00e9o Folklore<\/em>.<\/p>\n\n\n<figure class=\" wp-block-image alignfull size-large eplus-wrapper\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"562\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1-1024x562.jpg\" alt=\"\" class=\"wp-image-54508\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1-1024x562.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1-300x165.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1-768x422.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1-1536x843.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1-60x33.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>In Materia<\/em>, a space curated by Elizabeth Leriche, invites visitors to rethink their relationship with objects.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-large eplus-wrapper\"><img decoding=\"async\" width=\"1024\" height=\"562\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nuriev-1024x562.jpg\" alt=\"\" class=\"wp-image-54510\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nuriev-1024x562.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nuriev-300x165.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nuriev-768x422.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nuriev-1536x843.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nuriev-60x33.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nuriev.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">At this edition of Maison&amp;Objet, the title of Designer of the Year is awarded to Harry Nuriev, an artist of transformation, a visionary who breaks the rules of design with poetic precision.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-large eplus-wrapper\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1024x768.jpg\" alt=\"\" class=\"wp-image-54507\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1024x768.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-300x225.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-768x576.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-1536x1152.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia-60x45.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/materia.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Amid shifting paradigms, contemporary creation questions the forms of the past while embracing the language of technology. Fran\u00e7ois Delclaux deciphers the new codes of retail through his curatorship\u00a0<em>\u201cWhat\u2019s New?\u201d<\/em>\u00a0at Maison&amp;Objet\u2019s retail section.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"659\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/curatio-1024x659.jpg\" alt=\"\" class=\"wp-image-54512\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/curatio-1024x659.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/curatio-300x193.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/curatio-768x494.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/curatio-1536x988.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/curatio-60x39.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/curatio.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Designer, interior architect and artistic director Thomas Haarmann focuses attention on a different dimension of design: exclusive, emotional and deeply artisanal.\u00a0<em>Curatio<\/em>, created in collaboration with\u00a0<em>AD France<\/em>.<\/figcaption><\/figure>\n\n\n\n<figure class=\" wp-block-image alignfull size-large eplus-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/para-portada-1024x683.jpg\" alt=\"\" class=\"wp-image-54513\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/para-portada-1024x683.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/para-portada-300x200.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/para-portada-768x512.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/para-portada-1536x1025.jpg 1536w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/para-portada-60x40.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/para-portada-720x480.jpg 720w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/para-portada.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The artistic ceramic collection\u00a0<em>Lempicka<\/em>, designed by Mar Gausachs, belongs to that rare category of objects conceived not as products, but as expressions of an inner necessity. The official presentation of\u00a0<em>Lempicka<\/em>\u00a0is taking place at Maison&amp;Objet Paris.<\/figcaption><\/figure>\n\n\n<figure class=\" wp-block-image alignfull size-large eplus-wrapper eplus-styles-uid-c2ad6c\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"538\" src=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nTheCity-1024x538.jpg\" alt=\"\" class=\"wp-image-54523\" srcset=\"https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nTheCity-1024x538.jpg 1024w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nTheCity-300x158.jpg 300w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nTheCity-768x403.jpg 768w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nTheCity-60x32.jpg 60w, https:\/\/exagono.es\/revista\/wp-content\/uploads\/2026\/01\/nTheCity.jpg 1400w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Maison&amp;Objet In The City<\/em>. An event designed for professionals, bringing together \u2014through a carefully curated itinerary\u2014 100 venues that shape Paris\u2019s ecosystem of exceptional design and decoration, including decorators, interior architects, galleries, prestigious brands and master artisans.<\/figcaption><\/figure>\n\n<p class=\"eplus-wrapper eplus-styles-uid-4a6cfa wp-block-paragraph\">Maison&amp;Objet is a cultural phenomenon that brings together the global design community to celebrate excellence in its many expressions. The January 2026 edition brings together thousands of brands and creators from more than 60 countries, converging in spaces dedicated to decoration, furniture, craftsmanship, fragrances and wellbeing, fashion accessories, games and gifts, as well as specialised sectors such as\u00a0<em>Signature &amp; Projects<\/em>\u00a0and the new\u00a0<em>Outdoor Living<\/em>environment.<\/p>\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">Beyond the exhibitions, Maison&amp;Objet offers a comprehensive programme of talks, workshops and meetings \u2014<em>The Talks<\/em>\u2014 fostering the exchange of ideas among designers, thinkers, innovators and industry leaders, enriching the dialogue around sustainability, the cultural viability of design and future opportunities.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">This year, the fair extends its reach beyond its pavilions through&nbsp;<em>Maison&amp;Objet In The City<\/em>, a circuit that unfolds live experiences, studio visits, galleries and key spaces within the Parisian scene, integrating the city itself as part of the creative and professional narrative.<\/p>\n\n\n\n<p class=\"eplus-wrapper wp-block-paragraph\">For&nbsp;<em>Ex\u00e1gono<\/em>, Maison&amp;Objet Paris 2026 is an essential reading of the current moment in global design: an invitation to look back, to understand tradition as living matter, and to imagine \u2014with curiosity and responsibility\u2014 the ways in which design and craftsmanship can shape the spaces of our future lives.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Under the theme \u201cPast Reveals Future\u201d, this edition proposes a journey into the roots of contemporary design in order to better understand what lies ahead.<\/p>\n","protected":false},"author":1,"featured_media":54554,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":""},"categories":[635],"tags":[2208,2210,809,767],"ppma_author":[249],"class_list":["post-54542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design","tag-design-fairs","tag-maisonobjet-paris-2026","tag-paris-en","tag-paris-2-en"],"authors":[{"term_id":249,"user_id":1,"is_guest":0,"slug":"amoratinos","display_name":"Ex\u00e1gono","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/95418ef5af1f1a520d5386cfe82ba253c88665f94a4343ec69a36d8df034ab4b?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/54542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/comments?post=54542"}],"version-history":[{"count":6,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/54542\/revisions"}],"predecessor-version":[{"id":54549,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/posts\/54542\/revisions\/54549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/54554"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=54542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categories?post=54542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/tags?post=54542"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/ppma_author?post=54542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}