{"id":46617,"date":"2025-10-16T03:34:48","date_gmt":"2025-10-16T03:34:48","guid":{"rendered":"https:\/\/exagono.es\/profesionales\/argyro-pouliovali\/"},"modified":"2025-11-18T16:07:33","modified_gmt":"2025-11-18T16:07:33","slug":"argyro-pouliovali","status":"publish","type":"profesionales","link":"https:\/\/exagono.es\/en\/designers\/argyro-pouliovali\/","title":{"rendered":"Argyro Pouliovali"},"content":{"rendered":"<p class=\"p1\">Argyro Pouliovali (1986) is a Greek architect, designer, and writer, founder and director of <span class=\"s1\"><b>ARP \u2013 Architecture Research Practice<\/b><\/span>, with studios in Athens and on the island of Antiparos. Since its creation in 2014, ARP has undertaken residential, hospitality, cultural, and furniture design projects, exploring the intimate relationships between light, proportion, environment, and spatial flow.<\/p>\n<p class=\"p1\">Pouliovali is an architect of luminous silences. In her gaze, the Hellenic world condenses: the forms born of the wind, the veins of stone, the contrast between white and blue, the void that holds a secret. Her design gesture always begins with a place \u2014 she discovers a latent geometry, as if the earth itself were drafting its lines and she were its interpreter. In every project, her firm desire emerges that no one should live poorly: that spaces respond to the body, to the climate, to the rhythm of existing under the sun, with economy and poetry in unison.<\/p>\n<h2 class=\"p1\">Education and early career<\/h2>\n<p class=\"p1\">Pouliovali studied architecture at the Aristotle University of Thessaloniki and later joined <span class=\"s1\"><b>ETH Zurich<\/b><\/span> as a visiting student. She worked with <span class=\"s1\"><b>Meili Peter Architekten<\/b><\/span> in Zurich and <span class=\"s1\"><b>decaArchitecture<\/b><\/span> in Athens, experiences that gave her an international and versatile perspective. During that period, she participated in international competitions and collaborated on award-winning projects under those firms.<\/p>\n<h2>ARP: mission, philosophy and recognition<\/h2>\n<p class=\"p1\">Since its foundation, <span class=\"s1\"><b>ARP<\/b><\/span> has established itself as a space for practical research \u2014 hence \u201cResearch Practice\u201d \u2014 where every project begins with a rigorous study of place: its topography, climate, memory, materials, and light. For Pouliovali, architecture is about essentiality: reducing the superfluous to let the essential emerge \u2014 the void, the proportion, the light, the balance between mass and transparency. Her approach carries a deeply Hellenic inspiration; the <i>genius loci<\/i> is a constitutive agent of design.<\/p>\n<p class=\"p1\">ARP\u2019s work has been featured in renowned publications such as <i>Divisare<\/i>, <i>WSJ Magazine<\/i>, <i>Gestalten<\/i>, <i>AD Italia<\/i> and <i>Domus<\/i>. In 2022, ARP was included in the <i>Wallpaper<\/i> Architects\u2019 Directory. In 2023, Pouliovali was recognized as a winner of <i>Europe 40 Under 40<\/i>. The studio has earned numerous national and international distinctions: finalist and award-winner in Greek Architecture Prizes, the Biennial of Young Greek Architects, <i>The Plan<\/i> Awards, <i>BIGSEE<\/i>, and competitions for residential, renovation, and cultural architecture.<\/p>\n<h2>Vocation, leadership and commitment<\/h2>\n<p class=\"p1\">Pouliovali is the central and sole founder of the practice, assuming a creative, curatorial, and strategic leadership role. Yet she maintains an explicit commitment to the empowerment of women in architecture and design, promoting visibility, mentorship, and dialogue in a profession still shaped by predominantly male structures.<\/p>\n<p class=\"p1\">Her writing and critical reflection also accompany her practice: as an author and contributor, she has written essays and texts for magazines and catalogues related to the architectural project. We include here a short piece of her own:<\/p>\n<p class=\"p1\">&#8220;<strong>Architecture can positively impact people\u2019s lives.<\/strong><\/p>\n<p class=\"p1\">The architectural experience consists above all of the interior proportions of space, the manipulation of light, and the flow from one room to another. It is also materiality \u2014 understood as texture or as gradients of transparency. It is, ultimately, how we make architecture engage with the surrounding landscape.<\/p>\n<p class=\"p1\">Building in Greece is intricate and complex. Ancient heritage, classicism, questions of identity, a fragmented building code, and steep topography are common challenges an architect must face. This reality calls for a deeper understanding of our legacy.<\/p>\n<p class=\"p1\">What does it mean to be Greek? What truly constitutes our heritage?<\/p>\n<p class=\"p1\">On a recent visit to Rome, I wandered around the Roman Forum and bought <i>Orders of Architecture<\/i> by R. A. Cordingley. I have lived for more than ten years at the foot of the Acropolis hill and have climbed up to the Parthenon and its surroundings countless times, yet I had never seen what I saw in Rome.<\/p>\n<p class=\"p1\">In his book, Cordingley presents an extraordinary collection of measured drawings made from actual Greek and Roman monuments. On one page, the column of the Parthenon appears: its dimensions are moderate if compared, for example, with the columns of the Roman Temple of Poseidon. Toward the end of the book, the author includes a comparison between Greek and Roman doors and windows: in some cases, the Roman ones are four times higher than those of Greek antiquity.<\/p>\n<p class=\"p1\">Comparing the different orders, something essential becomes evident: the scale of Greek classicism remains bound to the human scale and maintains a dialogue with the surrounding landscape. In contrast, the scale of Roman monuments is grand and their presence imposing.<\/p>\n<p class=\"p1\">In this seemingly simple observation, I rediscovered the intrinsic values of my Greek legacy:<\/p>\n<p class=\"p1\">that sense of spatial generosity which does not overwhelm or intimidate, yet remains inseparably tied to the place.<\/p>\n<p class=\"p1\">That, I believe, is a profoundly Greek experience.&#8221; <i>Argyro Pouliovali<\/i><\/p>\n<h2>Selected works<\/h2>\n<p class=\"p1\">Among her most emblematic projects are:<\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Tetris House<\/b><\/span>, Antiparos (2019\u20132024): a house that seems to float among modular geometries, integrating water, stone, and white volumes in a play of solids and voids that converse with light, wind, and the complexity of the site.<\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Avlakia House<\/b><\/span>, Antiparos (2016\u20132020): named after the Greek term <i>avl\u00e1kia<\/i> (gullies, ravines), this dwelling is embedded between two natural trenches, alternating mass and void, earth and air, to establish a poetic dialogue with the Cycladic landscape.<\/p>\n<p class=\"p1\"><span class=\"s1\"><b>APS House<\/b><\/span>, Antiparos (2017): an exercise in generosity and restraint within a regulated setting, composed of cubic volumes arranged over two levels, patios, passive climate control, and rainwater harvesting.<\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Papyrella<\/b><\/span>, Mykonos (2019): the refurbishment of a seasonal villa, blending contemporary treatments with an existing structure.<\/p>\n<p class=\"p1\">Other ongoing works include <span class=\"s1\"><b>Ravine House<\/b><\/span> (Antiparos), a <span class=\"s1\"><b>House in Kythera<\/b><\/span>, as well as several renovations and cultural studies.<\/p>\n<p class=\"p1\">In addition, ARP designs bespoke furniture for many of its residential commissions. Its portfolio includes furniture series inspired by cyclical forms and the architecture of the Cyclades, created between 2020 and 2022.<\/p>\n","protected":false},"featured_media":49918,"template":"","meta":{"_eb_attr":"","editor_plus_copied_stylings":"{}","footnotes":""},"categorias-profesionales":[1322],"class_list":["post-46617","profesionales","type-profesionales","status-publish","has-post-thumbnail","hentry","categorias-profesionales-architects"],"_links":{"self":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/profesionales\/46617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/profesionales"}],"about":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/types\/profesionales"}],"version-history":[{"count":1,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/profesionales\/46617\/revisions"}],"predecessor-version":[{"id":49919,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/profesionales\/46617\/revisions\/49919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media\/49918"}],"wp:attachment":[{"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/media?parent=46617"}],"wp:term":[{"taxonomy":"categorias-profesionales","embeddable":true,"href":"https:\/\/exagono.es\/en\/wp-json\/wp\/v2\/categorias-profesionales?post=46617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}