7, Vryaxidos str.
11634  Atenas
+3069373 18491
bonios@studiobonarchi.com
studiobonarchi.com

Vangelis Bonios

Vangelis Bonios is a naturally curious interior designer, who seeks harmony and balance at every stage of his research, in every detail of his work. He holds a master’s degree in interior design which he obtained together with Pr. Patricia Viel, co-founder of “Antonio Citterio and Partners” in Milan. This appreciated meeting gave Vangelis, at an early stage of his studies, the opportunity to get to know high-end projects (such as Bulgari hotels and Valentino boutiques) from the point of view of the creator. Noble materials and simple, pure lines captured his attention from the very beginning of his work. During his fifteen years of collaboration with “Zege Architects” as an interior designer, he was involved in large-scale projects such as “The Met Hotel”, a member of Design Hotels, and “Astir Palace Hotel”, along with other demanding projects such as yacht interiors and private residences.

Creating Studio Bonarchi, a boutique agency based on creativity, ideas and beliefs that reflect his personal vision of aesthetics, Vangelis Bonios works with a team of young designers and experienced local craftsmen to design bespoke interiors with a strong visual impact. His projects, whether on the scale of a residence, a restaurant or a hotel, arouse emotions and stand out by showing respect for context and tradition.

Focusing on relentless research into texture, composition, colour, atmosphere and local history, Studio Bonarchi creates refined and timeless interiors and spaces in which to live. A noble and distinctive simplicity, with an eye for detail, is the studio’s identity.

The essence of Studio Bonarchi is a certain understated luxury, achieved through the use of noble materials and attention to detail. With an open eye to the global interior design landscape, Vangelis Bonios approaches each project by exploring its intrinsic surroundings, always drawing on his love of the varied vocabulary of interiors.

published in Exágono