Inspired by Japanese aesthetic concepts such as wabi-sabi, her painting proposes a quiet and restrained gaze in which texture, emptiness and gesture become tools for transforming personal experience into visual presence.
In her home, an old monastery patiently restored with love and the help of local artisans, the brazilian artist has shaped an intimate and radiant universe that is at once a refuge, a workshop, and a poetic manifesto.
“When art leans consciously into abstraction, it disrupts all mechanisms of interpretation—provoking, in the act of looking, both understanding and emotion.”