José Hevia is widely admired for his meticulous approach and his ability to reveal the essence of architectural spaces. His work is defined by a crisp and refined aesthetic, where light and composition are essential tools. He deliberately excludes human presence, directing the viewer’s attention to architecture itself, stripped of anecdote or distraction.
“Light is always my starting point; it is the essential tool with which I build each image. But it is experience—the act of inhabiting and understanding the space—that truly allows me to interpret it in my own way,” explains Erlantz.
Zarzoso is known for his ability to highlight geometry, light and materials through his photographic compositions. His meticulous approach and sensitivity to detail allow each image to convey both the atmosphere and the functionality of the space portrayed.
In this first edition of PhotoExágono, we feature articles on the work of photographers Mariela Apolonio, Adrià Goula, Salva López, Belén Imaz, Mauricio Fuertes, and Germán Saiz.
Meticulous in his approach and deeply attuned to atmosphere, Mauricio Fuertes has become a key figure in the world of architectural and interior photography.
Belén Imaz defines herself as a photographic artisan, using her camera, and above all, light, as tools to construct realities that evoke sensations and beauty.
She has built her professional career in the field of architectural photography, balancing commissioned work with her personal artistic exploration. This dual practice has shaped her distinctive approach to photographing architecture.
Through his compositions, Goula seeks to convey spatial experience, suggest atmosphere, and reveal architecture as a living, evolving presence. Here are some of Adrià Goula's photos published in Exágono to date.
Originally trained as a graphic designer, a discipline that has deeply influenced his photographic approach — especially in his sense of composition and spatial awareness.